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Macedonian man dancing Cocek

Čoček ("Albanian: çyçek/qyqek, "Serbo-Croatian: čoček/чочек, pronounced "cho'-chek"; compare "Macedonian чочек, "Bulgarian кючек (kyuchek or kyutchek)) is a "musical genre and "dance that emerged in the "Balkans during the early 19th century. It features prominently in the repertoire of many Romani brass bands.[1]

Čoček originated from "Ottoman military bands, which at that time were scattered across the region, mostly throughout "Serbia, "Bulgaria, the "Republic of Macedonia and "Romania. That led to the eventual segmentation and wide range of ethnic sub-styles in čoček. Čoček was handed down through the generations, preserved mostly by "Roma ("Gypsy") minorities, and was largely practiced at village weddings and banquets.

Čoček is especially popular among the Muslim Rom and Albanian populations of "Republic of Kosovo, South Serbia and the Republic of Macedonia.["dubious ] When "Tanec first came to America in 1956, they performed čoček as a Muslim woman’s dance, "Ќupurlika" from Titov Veles.

The kyuchek, as a common musical form in the "Balkans (primarily Bulgaria and Macedonia), is typically a dance with a 9
8
time signature; two variant forms have the beats divided 2-2-2-3 and 2-2-3-2. (This latter meter is sometimes referred to as "gypsy 9".) Roma musicians living in areas of the former "Yugoslavia have broadened the form to include variations in 4
4
and 7
8
.

In the "international folk dance community, čoček is danced to many melodies. Dances in the čoček genre include "Jeni Jol and Sa Sa.

Jazz composer and musician "Dave Brubeck was influenced by čoček-type tempos. For example, ""Blue Rondo à la Turk", from the Time Out album, was written following a 9
8
and 4
4
pattern.[2]

See also[edit]

References[edit]

  1. ^ Laurens Hartong, Jan (2006). Musical Terms World Wide: A Companion for the Musical Explorer. Semar Publishers Srl. p. 100. "ISBN "9788877780904. 
  2. ^ "Rediscovering Dave Brubeck". Retrieved 3 January 2015. 

External links[edit]


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