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"Robert Rauschenberg, Canyon, 1959, Assemblage: oil, housepaint, pencil, paper, fabric, metal, buttons, nails, cardboard, printed paper, photographs, wood, paint tubes, mirror string, pillow & bald eagle on canvas, "Museum of Modern Art, "New York, New York

Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to "collage, a two-dimensional medium. It is part of the "visual arts, and it typically uses found objects, but is not limited to these materials.[1][2]



The origin of the art form dates to the cubist constructions of "Pablo Picasso c. 1912–1914.[3] The origin of the word (in its artistic sense) can be traced back to the early 1950s, when "Jean Dubuffet created a series of "collages of butterfly wings, which he titled assemblages d'empreintes. However, both "Marcel Duchamp, "Pablo Picasso and others had been working with "found objects for many years prior to Dubuffet. Russian artist "Vladimir Tatlin created his "counter-reliefs" in the mid 1910s. Alongside Tatlin, the earliest woman artist to try her hand at assemblage was "Elsa von Freytag-Loringhoven, the Dada Baroness. In Paris in the 1920s "Alexander Calder, "Jose De Creeft, "Picasso and others began making fully 3-dimensional works from metal scraps, found metal objects and wire. In the U.S., one of the earliest and most prolific assemblage artists was "Louise Nevelson, who began creating her sculptures from found pieces of wood in the late 1930s.

The painter "Armando Reverón is one of the first to use this technique when using disposable materials such as bamboo, wires, wires or kraft paper. In the thirties he made a skeleton with wings of murcilage, adopting this style years before other artists. Later, Reverón made instruments and set pieces such as a telephone, a sofa, a sewing machine, a piano and even music books with their scores.

In 1961, the exhibition "The Art of Assemblage" was featured at the New York "Museum of Modern Art. The "exhibition showcased the work of early 20th-century European artists such as "Braque, "Dubuffet, "Marcel Duchamp, "Picasso, and "Kurt Schwitters alongside Americans "Man Ray, "Joseph Cornell, Robert Mallary and "Robert Rauschenberg, and also included less well known American West Coast assemblage artists such as "George Herms, "Bruce Conner and "Edward Kienholz. William C Seitz, the curator of the exhibition, described assemblages as being made up of preformed natural or manufactured materials, objects, or fragments not intended as art materials.[4]

Artists primarily known for assemblage[edit]

"Johann Dieter Wassmann ("Jeff Wassmann), Vorwarts! (Go Forward!), 1897 (2003).

See also[edit]


  1. ^ Walker, John. (1992) "Assemblage Art". Glossary of Art, Architecture & Design since 1945, 3rd. ed. Retrieved February 7, 2012.
  2. ^ About.com art history Retrieved March 30, 2011
  3. ^ The Guitar, MoMA
  4. ^ William C. Seitz, The Art of Assemblage, Doubleday (1962)
  5. ^ Deborah Solomon, Utopia Parkway: The Life and Work of Joseph Cornell, New York: Farrar, Straus & Giroux (1997).
  6. ^ Kienholz: 11 + 11 Tableaux, Moderna Museet, Stockholm, Sweden, n.d.
  7. ^ Půtová, Barbora (2018). Chapters "Meeting Place – Introduction", "Lubo Kristek: The Sun King in the Theatre of His Own World" and "Requiem for Mobile Telephones". Kristek Thaya Glyptotheque. Research Institute of Communication in Art. "ISBN "978-80-905548-3-2. Retrieved February 7, 2018.
  8. ^ http://www.aaa.si.edu/collections/janice-lowry-papers-13665
  9. ^ Galerie Gambit Pamphlet, Drury, Richard. (2000)
  10. ^ Biographical Note, The Louise Nevelson Papers, Archives of American Art, Smithsonian Institution.
  11. ^ Wieland Schmied and Daniel Spoerri, Daniel Spoerri: Coincidence as Master = Le Hasard comme maître = Der Zufall als Meister = Il caso come maestro, Bielefeld, Germany, 2003 at p. 10.
  12. ^ Crawford, Ashley. "Hoax most perfect," Melbourne Age, October 11, 2003.

Further reading[edit]

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