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Atë, Até or Aite ("// or "UK: "//; "Ancient Greek: ἄτη) is the "Greek "goddess of mischief, delusion, ruin, and folly. Até also refers to the action performed by a hero, usually because of "hubris, that often leads to his or her death or downfall. Mythology personifies Atë as the daughter either of "Zeus or of "Eris.
"Homer's "Iliad (Book 19) depicts Atë as the eldest daughter of "Zeus (with no mother mentioned). On Hera's instigation, Atë used her influence over Zeus so that he swore an oath that on that day a mortal descended from him would be born who would become a great ruler. Hera immediately arranged to delay the birth of "Heracles and to bring forth "Eurystheus prematurely. In anger Zeus threw Atë down to earth forever, forbidding her return to heaven or to "Mt. Olympus. Atë then wandered about, treading on the heads of men rather than on the earth, wreaking havoc on mortals.
The "Litae ("Prayers") follow after her, but Atë is fast and far outruns them.
The "Bibliotheca (3.143) claims that when thrown down by Zeus, Atë landed on a peak in "Phrygia called by her name. There "Ilus later, following a cow, founded the city of Ilion, known as "Troy. This flourish is chronologically at odds with Homer's dating of Atë's fall.
In "Nonnus' Dionysiaca (11.113), at Hera's instigation Atë persuades the boy Ampelus whom "Dionysus passionately loves, to impress Dionysus by riding on a bull from which Ampelus subsequently falls and breaks his neck.
In the play "Julius Caesar, Shakespeare introduces the goddess Atë as an invocation of vengeance and menace. Mark Antony, lamenting Caesar's murder, envisions:
"And Caesar's spirit, ranging for revenge,
With Atë' by his side come hot from Hell,
Shall in these confines with a monarch's voice
Cry "Havoc!" and let slip the dogs of war ...
Shakespeare also mentions her in the play "Much Ado About Nothing, when Benedick says, referring to Beatrice,
"Come, talk not of her. You shall find her the
infernal Atë in good apparel ...
So too, in "King John, Shakespeare refers to Queen Eleanor as "An Ate stirring [John] to blood and strife" (2.1.63), and in "Love's Labours Lost Birone jeers "Pompey is moved. More Ates, more Ates! stir them on! stir them on!" (5.2. 688-9).