|God of the vine, grape harvest, winemaking, wine, ritual madness, religious ecstasy, and theatre|
|Symbol||"Thyrsus, grapevine, leopard skin, "panther, "tiger, "cheetah|
|Children||"Priapus, "Hymen, "Thaos, "Staphylus, "Oenopion, "Comus, "Phthonus, the "Graces, "Deianira|
|Parents||"Zeus and "Persephone ("Orphic), Zeus and "Semele|
|Siblings||"Aeacus, "Angelos, "Aphrodite, "Apollo, "Ares, "Artemis, "Athena, "Eileithyia, "Enyo, "Eris, "Ersa, "Hebe, "Helen of Troy, "Hephaestus, "Heracles, "Hermes, "Minos, "Pandia, "Persephone, "Perseus, "Rhadamanthus, the "Graces, the "Horae, the "Litae, the "Muses, the "Moirai|
|Roman equivalent||Bacchus, "Liber|
|Heroes and heroism|
|"" "Greek mythology portal|
Dionysus ("//; "Greek: Διόνυσος Dionysos) is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and "religious ecstasy in "ancient Greek religion and "myth. "Wine played an important role in Greek culture, and the cult of Dionysus was the main religious focus for its unrestrained consumption. His worship became firmly established in the seventh century BC. He may have been worshipped as early as c. 1500–1100 BC by "Mycenean Greeks; traces of Dionysian-type cult have also been found in ancient "Minoan Crete. His origins are uncertain, and "his cults took many forms; some are described by ancient sources as "Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from "Ethiopia in the South. He is a god of "epiphany, "the god that comes", and his "foreignness" as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of "Greek mythology and "religion, becoming increasingly important over time, and included in some lists of the "twelve Olympians, as the last of their number, and the only god born from a mortal mother. His festivals were the driving force behind the development of "Greek theatre.
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a "fennel staff, tipped with a pine-cone and known as a "thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish". In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession ("thiasus) is made up of wild female followers ("maenads) and bearded "satyrs with "erect penises; some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken "Silenus. This procession is presumed to be the cult model for the followers of his "Dionysian Mysteries. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and he thus symbolizes the chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.
He is also known as Bacchus ("// or "//; "Greek: Βάκχος, Bakkhos), the name adopted by the "Romans and the frenzy he induces is bakkheia. His "thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios ("the liberator"), his wine, music and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself.
The cult of Dionysus is also a "cult of the souls"; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead. He is sometimes categorised as a "dying-and-rising god.
In Greek mythology, he is presented as a son of "Zeus and the mortal "Semele, thus semi-divine or "heroic: and as son of Zeus and "Persephone or "Demeter, thus both fully divine, part-"chthonic and possibly identical with "Iacchus of the "Eleusinian Mysteries. Some scholars believe that Dionysus is a "syncretism of a local Greek nature deity and a more powerful god from "Thrace or "Phrygia such as "Sabazios or "Zalmoxis.
Dionysus had a strange birth that evokes the difficulty in fitting him into the "Olympian pantheon. His mother was a mortal woman, "Semele, the daughter of king "Cadmus of "Thebes, and his father was "Zeus, the king of the gods. Zeus's wife, "Hera, discovered the affair while Semele was pregnant. Appearing as an old "crone (in other stories a nurse), Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semele's mind. Curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood.
Though Zeus begged her not to ask this, she persisted and he agreed. Therefore, he came to her wreathed in bolts of lightning; mortals, however, could not look upon an undisguised god without dying, and she perished in the ensuing blaze. Zeus rescued the unborn Dionysus by sewing him into his thigh. A few months later, Dionysus was born on Mount Pramnos in the island of "Ikaria, where Zeus went to release the now-fully-grown baby from his thigh. In this version, Dionysus is born by two "mothers" (Semele and Zeus) before his birth, hence the epithet dimētōr (of two mothers) associated with his being "twice-born".
In the Cretan version of the same story, which "Diodorus Siculus follows, Dionysus was the son of Zeus and "Persephone, the queen of the "Greek underworld, while another of Diodorus' sources identified the mother as "Demeter. A jealous Hera again attempted to kill the child, this time by sending "Titans to rip Dionysus to pieces after luring the baby with toys. It is said that he was mocked by the Titans who gave him a thyrsus (a fennel stalk) in place of his rightful sceptre. Zeus turned the Titans into dust with his thunderbolts, but only after the Titans ate everything but the heart, which was saved, variously, by "Athena, "Rhea, or Demeter. Zeus used the heart to recreate him in his "thigh, hence he was again "the twice-born".
Other versions claim that Zeus recreated him in Semele's womb or that he impregnated Semele by giving her the heart to eat.
His rebirth is the primary reason for the worship of Dionysus in several "mystery religions. Variants of the narrative are found in "Callimachus and "Nonnus, who refer to this Dionysus with the title "Zagreus, and also in several fragmentary poems attributed to "Orpheus.["citation needed]
The myth of the dismemberment of Dionysus by the Titans, is alluded to by "Plato in his "Phaedo (69d) in which Socrates claims that the initiations of the Dionysian Mysteries are similar to those of the philosophic path. Late Neo-Platonists such as "Damascius explore the implications of this at length.
Dionysus extending a drinking cup ("kantharos), late 6th century BC
According to the myth, Zeus gave the infant Dionysus to the care of "Hermes. One version of the story is that Hermes took the boy to King "Athamas and his wife "Ino, Dionysus' aunt. Hermes bade the couple to raise the boy as a girl, to hide him from Hera's wrath. Another version is that Dionysus was taken to the rain-"nymphs of "Nysa, who nourished his infancy and childhood, and for their care Zeus rewarded them by placing them as the "Hyades among the stars (see "Hyades star cluster). Other versions have Zeus giving him to Rhea, or to Persephone to raise in the Underworld, away from Hera. Alternatively, he was raised by "Maro.["citation needed]
Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The "Homeric hymn to Dionysus places it "far from Phoenicia, near to the Egyptian stream". Others placed it in Anatolia, or in "Libya ("away in the west beside a great ocean"), in Ethiopia (Herodotus), or "Arabia (Diodorus Siculus).["citation needed]
According to "Herodotus:
As it is, the Greek story has it that no sooner was Dionysus born than Zeus sewed him up in his thigh and carried him away to "Nysa in Ethiopia beyond "Egypt; and as for "Pan, the Greeks do not know what became of him after his birth. It is therefore plain to me that the Greeks learned the names of these two gods later than the names of all the others, and trace the birth of both to the time when they gained the knowledge.— Herodotus, Histories 2.146
When Dionysus grew up, he discovered the culture of the vine and the mode of extracting its precious juice, being the first to do so; but Hera struck him with madness, and drove him forth a wanderer through various parts of the earth. In "Phrygia the goddess "Cybele, better known to the Greeks as Rhea, cured him and taught him her religious rites, and he set out on a progress through Asia teaching the people the cultivation of the vine. The most famous part of his wanderings is his expedition to "India, which is said to have lasted several years. According to a legend, when "Alexander the Great reached a city called Nysa near the "Indus river, the locals said that their city was founded by Dionysus in the distant past and their city was dedicated to the god Dionysus. These travels took something of the form of military conquests; according to "Diodorus Siculus he conquered the whole world except for Britain and "Ethiopia. Returning in triumph (he was considered the founder of the triumphal procession) he undertook to introduce his worship into Greece, but was opposed by some princes who dreaded its introduction on account of the disorders and madness it brought with it (e.g. "Pentheus or "Lycurgus).
Dionysus was exceptionally attractive. One of the "Homeric hymns recounts how, while disguised as a mortal sitting beside the seashore, a few sailors spotted him, believing he was a prince. They attempted to kidnap him and sail him far away to sell for ransom or into slavery. They tried to bind him with ropes, but no type of rope could hold him. Dionysus turned into a fierce lion and unleashed a bear on board, killing those he came into contact with. Those who jumped off the ship were mercifully turned into dolphins. The only survivor was the helmsman, "Acoetes, who recognized the god and tried to stop his sailors from the start.
In a similar story, Dionysus desired to sail from "Icaria to "Naxos. He then hired a "Tyrrhenian pirate ship. However, when the god was on board, they sailed not to Naxos but to Asia, intending to sell him as a slave. So Dionysus turned the mast and oars into snakes, and filled the vessel with ivy and the sound of flutes so that the sailors went mad and, leaping into the sea, were turned into dolphins. In "Ovid's "Metamorphoses Bacchus begins this story as a young child, found by the pirates, but transforms to a divine adult when on board. Malcolm Bull notes that "It is a measure of Bacchus's ambiguous position in classical mythology that he, unlike the other Olympians, had to use a boat to travel to and from the islands with which he is associated".
Dionysus discovered that his old school master and foster father, "Silenus, had gone missing. The old man had been drinking, and had wandered away drunk, and was found by some peasants, who carried him to their king (alternatively, he passed out in Midas' rose garden). "Midas recognized him, and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus entertained Midas and his friends with stories and songs. On the eleventh day, he brought Silenus back to Dionysus. Dionysus offered Midas his choice of whatever reward he wanted.
Midas asked that whatever he might touch should be changed into gold. Dionysus consented, though was sorry that he had not made a better choice. Midas rejoiced in his new power, which he hastened to put to the test. He touched and turned to gold an oak twig and a stone. Overjoyed, as soon as he got home, he ordered the servants to set a feast on the table. Then he found that his bread, meat, and wine turned to gold. Later, when his daughter embraced him, she too turned to gold.
Upset, Midas strove to divest himself of his power (the "Midas Touch); he hated the gift he had coveted. He prayed to Dionysus, begging to be delivered from starvation. Dionysus heard and consented; he told Midas to wash in the river "Pactolus. He did so, and when he touched the waters the power passed into them, and the river sands changed into gold. This was an "etiological myth that explained why the sands of the Pactolus were rich in gold.
In the play "The Bacchae by "Euripides, Dionysus returns to his birthplace, "Thebes, which is ruled by his cousin "Pentheus. Pentheus, his mother "Agave, and his aunts "Ino and "Autonoe do not believe that Dionysus is a son of Zeus. Despite the warnings of the blind prophet "Tiresias, they deny him worship; instead, they arraign him for causing madness among the women of Thebes.
Dionysus uses his divine powers to drive Pentheus insane, then invites him to spy on the ecstatic rituals of the "Maenads, in the woods of "Mount Cithaeron. Pentheus, hoping to witness a sexual "orgy, hides himself in a tree. The Maenads spot him; maddened by Dionysus, they take him to be a mountain lion, and attack him with their bare hands. Pentheus' aunts, and his mother, Agave, are among them; they rip him limb from limb. Agave mounts his head on a pike, and takes the trophy to her father, Cadmus. The madness passes. Dionysus arrives in his true, divine form, banishes Agave and her sisters, and transforms Cadmus and his wife "Harmonia into serpents. Only Tiresias is spared.
When King "Lycurgus of "Thrace heard that Dionysus was in his kingdom, he imprisoned Dionysus' followers, the "Maenads. Dionysus fled and took refuge with "Thetis, and sent a "drought which stirred the people into revolt. Dionysus then drove King Lycurgus insane and had him slice his own son into pieces with an axe in the belief that he was a patch of ivy, a plant holy to Dionysus. An "oracle then claimed that the land would stay dry and barren as long as Lycurgus was alive. His people had him "drawn and quartered. Following the death of the king, Dionysus lifted the curse. This story is told in Homer's epic, Iliad 6.136-7. In an alternative version, sometimes shown in art, Lycurgus tries to kill Ambrosia, a follower of Dionysus, who was transformed into a vine that twined around the enraged king and restrained him, eventually killing him.
Dionysus was of the few Olympians with the power to remove deceased mortals from the underworld, and thus restore them to life.["citation needed] He descended to the underworld ("Hades) to rescue his mother Semele, whom he had not seen since his birth, making the descent by way of a reputedly bottomless pool on the coast of the "Argolid near the prehistoric site of "Lerna, and bypassing "Thanatos, the god of death. According to "Clement of Alexandria, Dionysus was guided by "Prosymnus or Polymnus, who requested, as his reward, to be Dionysus' lover. Dionysus returned Semele to Mount Olympus; but Prosymnus died before Dionysus could honor his pledge, so in order to satisfy Prosymnus' shade, Dionysus fashioned a "phallus from an olive branch and sat on it at Prosymnus' tomb. This story survives in full only in Christian sources whose aim was to discredit pagan mythology. It appears to have served to explain the secret objects of the "Dionysian Mysteries.
...not so will the Grape-gatherer escape thee. The origin of that constellation also can be briefly told. 'Tis said that the unshorn Ampelus, son of a nymph and a satyr, was loved by Bacchus on the Ismarian hills. Upon him the god bestowed a vine that trailed from an elm’s leafy boughs, and still the vine takes from the boy its name. While he rashly culled the gaudy grapes upon a branch, he tumbled down; Liber bore the lost youth to the stars."
Another story of Ampelus was related by "Nonnus: in an accident foreseen by Dionysus, the youth was killed while riding a bull maddened by the sting of a gadfly sent by "Atë, the Goddess of Folly. The "Fates granted Ampelus a second life as a vine, from which Dionysus squeezed the first wine.
Young Dionysus was also said to have been one of the many famous pupils of the "centaur "Chiron. According to Ptolemy Chennus in the Library of Photius, "Dionysus was loved by Chiron, from whom he learned chants and dances, the bacchic rites and initiations."
A third descent by Dionysus to Hades is invented by "Aristophanes in his comedy "The Frogs. Dionysus, as patron of the Athenian dramatic festival, the Dionysia, wants to bring back to life one of the great tragedians. After a competition "Aeschylus is chosen in preference to "Euripides.
When "Theseus abandoned "Ariadne sleeping on Naxos, Dionysus found and married her. She bore him a son named Oenopion, but he committed suicide or was killed by "Perseus. In some variants, he had her crown put into the heavens as the constellation Corona; in others, he descended into "Hades to restore her to the gods on Olympus. Another different account claims Dionysus ordered Theseus to abandon Ariadne on the island of Naxos for he had seen her as Theseus carried her onto the ship and had decided to marry her.
"Psalacantha, a nymph, failed at winning the love of Dionysus as his main love interest at the moment was Ariadne, and ended up being changed into a plant.
Callirrhoe was a "Calydonian woman who scorned "Coresus, a priest of Dionysus, who threatened to afflict all the women of Calydon with insanity (see "Maenad). The priest was ordered to sacrifice Callirhoe but he killed himself instead. Callirhoe threw herself into a well which was later named after her.
The "bull, "serpent, "tiger, "ivy, and "wine are characteristic of Dionysian iconography. Dionysus is also strongly associated with "satyrs, "centaurs, and "sileni. He is often shown riding a "leopard, wearing a leopard skin, or in a chariot drawn by "panthers, and may also be recognized by the "thyrsus he carries. Besides the "grapevine and its wild barren alter-ego, the toxic ivy plant, both sacred to him, the "fig was also his symbol. The "pinecone that tipped his thyrsus linked him to "Cybele.
The "Dionysia and "Lenaia festivals in "Athens were dedicated to Dionysus. On numerous vases (referred to as Lenaia vases), the god is shown participating in the ritual sacrifice as a masked and clothed pillar (sometimes a pole, or tree is used), while his worshipers eat bread and drink wine. Initiates worshipped him in the "Dionysian Mysteries, which were comparable to and linked with the "Orphic Mysteries, and may have influenced "Gnosticism["citation needed]. Orpheus was said to have invented the "Mysteries of Dionysus.
Dionysus was a god of resurrection and he was strongly linked to the bull. In a cult hymn from "Olympia, at a festival for Hera, Dionysus is invited to come as a bull; "with bull-foot raging". "Walter Burkert relates, "Quite frequently [Dionysus] is portrayed with bull horns, and in "Kyzikos he has a tauromorphic image", and refers also to an archaic myth in which Dionysus is slaughtered as a bull calf and impiously eaten by the "Titans. In the Classical period of Greece, the bull and other animals identified with deities were separated from them as their agalma, a kind of heraldic show-piece that concretely signified their numinous presence.
The snake and phallus were symbols of Dionysus in ancient Greece, and of Bacchus in Greece and Rome. He typically wears a panther or leopard skin and carries a "Thyrsus – a long stick or wand topped with a pine cone. His iconography sometimes include "maenads, who wear wreaths of ivy and serpents around their hair or neck.
A "mystery cult to Bacchus was brought to "Rome from the "Greek culture of southern Italy or by way of Greek-influenced "Etruria. It was established c.200 BC in the "Aventine grove of "Stimula by a "priestess from "Campania, near the "temple where "Liber Pater ("The Free Father") had a State-sanctioned, popular cult. "Liber was a native Roman god of wine, fertility, and prophecy, patron of Rome's "plebeians (citizen-commoners) and a close equivalent to Bacchus-Dionysus Eleutherios.
The Bacchic rituals contained "omophagic practices such as pulling live animals apart and eating the whole of them raw. This practice served not only as a reenactment of the infant death and rebirth of Bacchus, but also as a means by which Bacchic practitioners produced "enthusiasm": etymologically, to let a god enter the practitioner's body or to have her become one with Bacchus.
In "Livy's account, the Bacchic mysteries were a novelty at Rome; originally restricted to women and held only three times a year, they were corrupted by an Etruscan-Greek version, and thereafter drunken, disinhibited men and women of all ages and social classes cavorted in a sexual free-for-all five times a month. Livy relates their various outrages against Rome's civil and religious laws and traditional morality ("mos maiorum); a secretive, subversive and potentially revolutionary counter-culture. Livy's sources, and his own account of the cult, probably drew heavily on the Roman dramatic genre known as "Satyr plays", based on Greek originals. The cult was suppressed by the State with great ferocity; of the 7,000 arrested, most were executed. Modern scholarship treats much of Livy's account with skepticism; more certainly, a Senatorial edict, the "Senatus consultum de Bacchanalibus was distributed throughout Roman and allied Italy. It banned the former Bacchic cult organisations. Each meeting must seek prior senatorial approval through a "praetor. No more than three women and two men were allowed at any one meeting, Those who defied the edict risked the death penalty.
Bacchus was conscripted into the official Roman pantheon as an aspect of Liber, and his festival was inserted into the "Liberalia. In Roman culture, Liber, Bacchus and Dionysus became virtually interchangeable equivalents. Bacchus was "euhemerised as a wandering hero, conqueror and founder of cities. He was a patron deity and founding hero at "Leptis Magna, birthplace of the emperor "Septimius Severus, who promoted his cult. In some Roman sources, the ritual procession of Bacchus in a tiger-drawn chariot, surrounded by maenads, satyrs and drunks, commemorates the god's triumphant return from the conquest of India. "Pliny believed this to be the historical prototype for the "Roman Triumph.
The god, and still more often his followers, were commonly depicted in the painted "pottery of Ancient Greece, much of which was vessels for wine. But, apart from some "reliefs of "maenads, Dionysian subjects rarely appeared in large sculpture before the Hellenistic period, when they became common. In these, the treatment of the god himself ranged from severe archaising or "Neo Attic types such as the "Dionysus Sardanapalus to types showing him as an indolent and androgynous young man, often "nude. "Hermes and the Infant Dionysus is probably a Greek original in marble, and the "Ludovisi Dionysus group is probably a Roman original of the 2nd century AD. Well-known "Hellenistic sculptures of Dionysian subjects, surviving in Roman copies, include the "Barberini Faun, the "Belvedere Torso, the "Resting Satyr. The "Furietti Centaurs and "Sleeping Hermaphroditus reflect related subjects, which had by this time become drawn into the Dionysian orbit. The marble "Dancer of Pergamon is an original, as is the bronze "Dancing Satyr of Mazara del Vallo, a recent recovery from the sea.
The Dionysian world by the Hellenistic period is a hedonistic but safe "pastoral into which other semi-divine creatures of the countryside such as "centaurs, "nymphs, and the god "Pan and "Hermaphrodite have been co-opted. Nymphs by this stage "means simply an ideal female of the Dionysian outdoors, a non-wild bacchant". Hellenistic sculpture also includes for the first time large genre subjects of children and peasant, many of whom carry Dionysian attributes such as ivy wreaths, and "most should be seen as part of his realm. They have in common with satyrs and nymphs that they are creatures of the outdoors and are without true personal identity." The 4th-century BC "Derveni Krater, the unique survival of a very large scale Classical or Hellenistic metal vessel of top quality, depicts Dionysus and his followers.
Dionysus appealed to the Hellenistic monarchies for a number of reasons, apart from merely being a god of pleasure: He was a human who became divine, he came from, and had conquered, the East, exemplified a lifestyle of display and magnificence with his mortal followers, and was often regarded as an ancestor. He continued to appeal to the rich of Imperial Rome, who populated their gardens with Dionysian sculpture, and by the 2nd century AD were often buried in "sarcophagi carved with crowded scenes of Bacchus and his entourage.
The 4th-century AD "Lycurgus Cup in the "British Museum is a spectacular "cage cup which changes colour when light comes through the glass; it shows the bound King "Lycurgus being taunted by the god and attacked by a satyr; this may have been used for celebration of Dionysian mysteries. Elizabeth Kessler has theorized that a mosaic appearing on the "triclinium floor of the House of Aion in "Nea Paphos, Cyprus, details a monotheistic worship of Dionysus. In the mosaic, other gods appear but may only be lesser representations of the centrally imposed Dionysus. The mid-Byzantine "Veroli Casket shows the tradition lingering in "Constantinople around 1000 AD, but probably not very well understood.
Bacchic subjects in art resumed in the "Italian Renaissance, and soon became almost as popular as in antiquity, but his "strong association with feminine spirituality and power almost disappeared", as did "the idea that the destructive and creative powers of the god were indissolubly linked". In "Michelangelo's statue (1496–97) "madness has become merriment". The statue aspires to suggest both drunken incapacity and an elevated consciousness, but this was perhaps lost on later viewers, and typically the two aspects were thereafter split, with a clearly drunk Silenus representing the former, and a youthful Bacchus often shown with wings, because he carries the mind to higher places.
"Titian's "Bacchus and Ariadne (1522–23) and "The Bacchanal of the Andrians (1523-26), both painted for the "same room, offer an influential heroic pastoral, while "Diego Velázquez in "The Triumph of Bacchus (or Los borrachos - "the drinkers", c. 1629) and "Jusepe de Ribera in his "Drunken Silenus choose a genre realism. "Flemish Baroque painting frequently painted the Bacchic followers, as in Van Dyck's "Drunken Silenus and many works by "Rubens; "Poussin was another regular painter of Bacchic scenes. Depictions of the proverb "Sine Cerere et Baccho friget Venus were a particular feature of "Northern Mannerism, but the subject was also painted several times by Rubens. Because of his association with the vine harvest, Bacchus became the god of autumn, and he and his followers were often shown in sets depicting the seasons.
Dionysus has remained an inspiration to artists, philosophers and writers into the "modern era. In "The Birth of Tragedy (1872), the German philosopher "Friedrich Nietzsche proposed that a tension between "Apollonian and Dionysian aesthetic principles underlay the development of "Greek tragedy; Dionysus represented what was unrestrained chaotic and irrational, while Apollo represented the rational and ordered. Nietzsche claimed that the oldest forms of Greek Tragedy were entirely based on suffering of Dionysus. In Nietzsche's 1886 work "Beyond Good and Evil, and later works "The Twilight of the Idols, "The Antichrist and "Ecce Homo, Dionysus is conceived as the embodiment of the unrestrained "will to power.
In The Hellenic Religion of the Suffering God (1904), and Dionysus and Early Dionysianism (1921), the poet "Vyacheslav Ivanov elaborates the theory of "Dionysianism, tracing the origins of literature, and "tragedy in particular, to ancient Dionysian mysteries. "Károly Kerényi characterizes Dionysus as representative of the psychological life force (Greek Zoê). Other psychological interpretations place Dionysus' "emotionality in the foreground, focusing on the "joy, "terror or "hysteria associated with the god. "Sigmund Freud specified that his ashes should be kept in an Ancient Greek vase painted with Dionysian scenes from his collection, which remains on display at "Golders Green Crematorium in London.
In "CS Lewis' "Prince Caspian (part of "The Chronicles of Narnia), Bacchus is a dangerous-looking, androgynous young boy who helps Aslan awaken the spirits of the Narnian trees and rivers.["citation needed] "Rick Riordan's series of books "Percy Jackson & The Olympians presents Dionysus as an uncaring, childish and spoiled god.["citation needed] In the novel "Household Gods by "Harry Turtledove and "Judith Tarr, Nicole Gunther-Perrin is a lawyer in the 20th century. She makes a libation to Liber and "Libera, Roman equivalents of Dionysus and Persephone, and is transported back in time to ancient Rome. In "The Secret History by "Donna Tartt, a group of "classics students reflect on reviving the worship of Dionysus during their time in college.
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"Walt Disney uses a modernised version of "Silenus, Dionysus or Bacchus in the ""Pastoral" segment of the animated film "Fantasia. In 1969, an adaption of The Bacchae was performed, called "Dionysus in '69. A "film was made of the same performance. The production was notable for involving audience participation, nudity, and theatrical innovations. In 1974, Stephen Sondheim and Burt Shevelove adapted Aristophanes' comedy The Frogs into a "modern musical, which hit broadway in 2004 and was revived in London in 2017. The musical keeps the descent of Dionysus into Hades to bring back a playwright, however the playwrights are updated to modern times, and Dionysus is forced to choose between "George Bernard Shaw and "William Shakespeare.
Though the last known worshippers of Greek gods were converted before 1000 AD, there were instances of revived worship of Dionysus afterwards, and finally with the rise of "neopaganism, worship of the god has once again been revived.
During "Easter in 1282 in "Scotland, the parish priest of "Inverkeithing led young women in a dance in honor of Dionysus. He danced and sang at the front, carrying a representation of the phallus on a pole. He was killed by a Christian mob later that year. The late medieval Byzantine scholar "Gemistus Pletho secretly advocated in favor of a return to paganism in medieval Greece.
In the 18th century, "Hellfire Clubs sprung up in "Britain and "Ireland. Though activities varied between the clubs, some of them were very pagan, and included shrines and sacrifices. Dionysus was one of the most popular deities, alongside deities like "Venus and "Flora. Today one can still see the statue of Dionysus left behind in the "Hellfire Caves.
In 1820, Ephraim Lyon founded the Church of Bacchus in "Eastford, "Connecticut. He declared himself High Priest, and added local drunks to the list of membership. He maintained that those who died as members would go to a Bacchanalia for their afterlife.
Modern followers of Dionysus may offer the god wine, grapes, ivy, and various forms of incense. They may also celebrate Roman festivals such as the Liberalia (March 17, close to the "Spring Equinox) or Bacchanalia (Various dates), and various Greek festivals such as the "Anthesteria, Lenaia, and the Greater and Lesser Dionysias, calculated by lunar calendar.
Some authors have argued that similarities exist between Dionysus and the traditional Christian portrayal of "Jesus. The earliest discussions of mythological parallels between Dionysus and the figure of "the Christ in "Christian theology can be traced to "Friedrich Hölderlin, whose identification of Dionysus with Christ is most explicit in Brod und Wein ('Bread and Wine', 1800–1801) and Der Einzige (1801–1803).
Theories regarding such parallels were popular in the 19th century. Some modern scholars such as "Martin Hengel, "Barry Powell, "Robert M. Price, and Peter Wick argue that Dionysian religion and Christianity have parallels. They point to the symbolism of wine and the importance it held in the mythology surrounding both Dionysus and Jesus Christ. Wick, however, argues that the use of wine symbolism in the "Gospel of John, including the story of the "Marriage at Cana, at which Jesus turns water into wine, is intended to show Jesus as superior to Dionysus.
Many sources reject the parallels between the cult of Dionysus and Christ, asserting that the similarities are superficial, often general and universal parallels found in many stories, both historical and mythical, and that the symbolism represented by the similar themes are radically different.
Some scholars of "comparative mythology identify both Dionysus and Jesus with the "dying-and-returning god mythological "archetype. On the other hand, it has been noted that the details of Dionysus' death and rebirth are starkly different both in content and symbolism from Jesus. The two stories take place in very different historical and geographic contexts. Also, the manner of death is different; in the most common myth, Dionysus was torn to pieces and eaten by the "titans, but "eventually restored to a new life" from the heart that was left over.
Another parallel can be seen in "The Bacchae where Dionysus appears before King Pentheus on charges of claiming divinity, which is compared to the New Testament scene of Jesus being interrogated by Pontius Pilate. However, a number of scholars dispute this parallel, since the confrontation between Dionysus and Pentheus ends with Pentheus dying, torn into pieces by the mad women, whereas the trial of Jesus ends with him being sentenced to death. The discrepancies between the two stories, including their resolutions, have led many scholars to regard the Dionysus story as radically different from the one about Jesus, except for the parallel of the arrest, which is a detail that appears in many biographies as well.
Other elements, such as the celebration by a ritual meal of bread and wine, also have parallels. The "omophagia was the Dionysian act of eating raw flesh and drinking wine to consume the god. Within Orphism, it was believed that consuming the meat and wine was symbolic of the Titans eating the flesh (meat) and blood (wine) of Dionysus and that, by participating in the omophagia, Dionysus' followers could achieve communion with the god. Powell, in particular, argues that precursors to the Catholic notion of "transubstantiation can be found in Dionysian religion.
E. Kessler has argued that the Dionysian cult developed into strict "monotheism by the 4th century AD; together with "Mithraism and other sects, the cult formed an instance of "pagan monotheism" in direct competition with "Early Christianity during "Late Antiquity. Scholars from the 16th century onwards, especially "Gerard Vossius, also discussed the parallels between the biographies of Dionysus/Bacchus and "Moses (Vossius named his sons "Dionysius and "Isaac). Such comparisons surface in details of paintings by Poussin.
The dio- element has been associated since antiquity with Zeus ("genitive Dios). The earliest attested form of the name is "Mycenaean Greek 𐀇𐀺𐀝𐀰, di-wo-nu-so, written in "Linear B syllabic script, presumably for /Diwo(h)nūsoio/. This is attested on two tablets that had been found at "Mycenaean "Pylos and dated to the 12th or 13th century BC, but at the time, there could be no certainty on whether this was indeed a "theonym. But the 1989–90 Greek-Swedish Excavations at "Kastelli Hill, Chania, unearthed, inter alia, four artefacts bearing Linear B inscriptions; among them, the inscription on item KH Gq 5 is thought to confirm Dionysus's early worship.
Later variants include Dionūsos and Diōnūsos in "Boeotia; Dien(n)ūsos in "Thessaly; Deonūsos and Deunūsos in "Ionia; and Dinnūsos in "Aeolia, besides other variants. A Dio- prefix is found in other names, such as that of the "Dioscures, and may derive from Dios, the genitive of the name of "Zeus. The second element -nūsos is associated with Mount "Nysa, the birthplace of the god in Greek mythology, where he was nursed by nymphs (the "Nysiads), but according to "Pherecydes of Syros, nũsa was an archaic word for "tree".
Nonnus, in his "Dionysiaca, writes that the name Dionysus means "Zeus-limp" and that Hermes named the new born Dionysus this, "because Zeus while he carried his burden lifted one foot with a limp from the weight of his thigh, and nysos in Syracusan langugage means limping". In his note to these lines, "W. H. D. Rouse writes "It need hardly be said that these etymologies are wrong". The "Suda, a Byzantine encyclopedia based on classical sources, states that Dionysus was so named "from accomplishing [διανύειν ] for each of those who live the wild life. Or from providing [διανοεῖν ] everything for those who live the wild life.”
The cult of Dionysus was closely associated with trees, specifically the "fig tree, and some of his "bynames exhibit this, such as Endendros "he in the tree" or Dendritēs, "he of the tree". Peters suggests the original meaning as "he who runs among the trees", or that of a "runner in the woods". Janda (2010) accepts the etymology but proposes the more cosmological interpretation of "he who impels the (world-)tree". This interpretation explains how Nysa could have been re-interpreted from a meaning of "tree" to the name of a mountain: the "axis mundi of "Indo-European mythology is represented both as a "world-tree and as a "world-mountain.
Dionysus was variably known with the following "epithets:
Agrios ("wild"), in "Macedonia.
Bromios ("Roaring" as of the wind, primarily relating to the central death/resurrection element of the myth, but also the god's transformations into lion and bull, and the boisterousness of those who drink alcohol. Also cognate with the "roar of thunder", which refers to Dionysus' father, Zeus "the thunderer".)["citation needed]
Chthonios ("the subterranean")
Dendrites ("he of the trees"), as a fertility god.
"Dithyrambos, used at his festivals, referring to his premature birth.
Eleutherios ("the liberator"), an epithet shared with "Eros.
Endendros ("he in the tree").
"Enorches ("with balls," with reference to his fertility, or "in the testicles" in reference to Zeus' sewing the baby Dionysus "into his thigh", understood to mean his testicles). used in "Samos and "Lesbos.
Erikryptos ("completely hidden"), in Macedonia.
"Iacchus, a possible epithet of Dionysus, associated with the "Eleusinian Mysteries. In "Eleusis, he is known as a son of "Zeus and "Demeter. The name "Iacchus" may come from the Ιακχος (Iakchos), a hymn sung in honor of Dionysus.
Liknites ("he of the winnowing fan"), as a fertility god connected with "mystery religions. A winnowing fan was used to separate the chaff from the grain.
Lyaeus, or Lyaios (Λυαῖος, "deliverer", literally "loosener"), one who releases from care and anxiety.
Melanaigis ("of the black goatskin") at the "Apaturia festival.
Oeneus, as god of the "wine press.
|Dionysus' family tree|
Bacchus and the Choir of Nymphs (1888)
by "John Reinhard Weguelin
Drinking Bacchus (1623) "Guido Reni
Bacchus - "Hendrick Goltzius (1592).
|Wikimedia Commons has media related to Dionysus.|