February 5, 1953 |
"San Juan, "Puerto Rico
|Occupation||Poet, novelist, essayist, dramatist|
|Nationality||Puerto Rican, American|
|Genre||Poetry, prose poetry, fiction, drama, novel, epic poetry|
|Subject||"Immigration, "independence, terrorism, inspiration, Latin America, "Puerto Rico, revolution, war, love, "American imperialism, New York, democracy, "September 11 attacks|
|Literary movement||"Postmodernism, "postcolonialism, spoken word, nuyorican, post-boom, McOndo|
|Notable works||"Yo-Yo Boing!; "Braschi's Empire of Dreams; "United States of Banana|
|Notable awards||"PEN/Open Book Award; National Endowment for the Arts, New York Foundation for the Arts, Danforth and Ford Foundation fellowships|
Giannina Braschi (born February 5, 1953) is a Puerto Rican writer. She is credited with writing the first "Spanglish novel "Yo-Yo Boing! (1998), the "post-modern poetry trilogy Empire of Dreams (Yale, 1994) and the "philosophical fiction "United States of Banana (AmazonCrossing, 2011), which chronicles the "Latin American "immigrants' experiences in the United States. "For decades, "Dominican and "Puerto Rican authors have carried out a linguistic revolution", noted The Boston Globe, "and Giannina Braschi, especially in her novel YO-YO BOING!, testify to it". She is considered an influential and revolutionary voice in contemporary "Latin American literature. Her work has been described as a "synergetic fusion that marks in a determinant fashion the lived experiences of U.S. "Hispanics." Written in English, Spanglish, and Spanish, Braschi's work seeks to capture the cultural experience of the 50 million Hispanics in the United States and also seeks to explore the three political options of Puerto Rico: Nation, "Colony or "Statehood. On the subject of the Island's lack of sovereignty, Braschi stated, ""Liberty is not an option — it is a human right."
In the 1970s, Giannina Braschi was a student of literature in Madrid, Rome, Paris and London, before she settled in "New York City. She obtained a PhD in Hispanic Literatures ("State University of New York, Stony Brook, 1980) and has taught at "Rutgers University, "City University of New York, and "Colgate University, where she served as a Distinguished Chair of Creative Writing (1997). She was a foreign correspondent for Grazie magazine (2001–2002).
As an adolescent in San Juan, Giannina Braschi ranked first place in the U.S. "Tennis Association's national tournament in Puerto Rico, becoming the youngest female "tennis player to win the Women's Division (1966) on the island. Her father Euripides ("Pilo") Braschi was also a tennis champion. She was also a founding member of the "San Juan Children's Choir ("Coro de niños de San Juan") under music director Evy Lucio and a fashion model during her teen years.
In the 1980s, Braschi's early writings were scholarly in nature and focused on the titans of the "Spanish Golden Age, as well as the vanguard poets of Latin America and Spain. She published a book on the Romantic poet "Gustavo Adolfo Becquer and essays on "Cervantes, "Garcilaso, "César Vallejo, "Juan Ramon Jimenez and "Federico García Lorca. She later became obsessed with the dramatic and philosophical works of French, German, Polish, Irish, and Russian authors. Though categorized as novels, her later mixed-genre works are experimental in style and format and celebratory of foreign influences. In the 50th anniversary edition of "Evergreen Review, Braschi notes that she considers herself "more French than "Beckett, "Picasso and "Gertrude Stein", and believes that she is the "granddaughter of "Alfred Jarry and "Antonin Artaud, bastard child of "Samuel Beckett and "James Joyce, half-sister to "Heiner Müller, kissing cousin of "Tadeusz Kantor, and lover of Witkiewicz".
In the 1980s, Giannina Braschi burst onto the downtown "Nuyorican poetry scene with "spoken word performances of rhythmic intensity, humorous gusto, and anti-imperialistic politics. Her "prose poems were written, recited, and published entirely in Spanish during this period. Her first collection of Spanish "prose poetry, Asalto al tiempo, debuted in Barcelona in 1980 and was followed by La Comedia profana in 1985 and El imperio de los sueños in 1988. New York is the site and subject of much of her work. In a climatic episode of ""Pastoral or the Inquisition of Memories", shepherds invade "5th Avenue on the "Puerto Rican Day Parade and take over the City of New York; the shepherds ring the bells of "St. Patrick's Cathedral and seize the observation deck of the "Empire State Building.
Poet and feminist scholar "Alicia Ostriker has praised "Braschi's Empire of Dreams, which features gender role-playing and "transvestism, for having "sheer erotic energy that defies definition and dogma." "Those three award winning books were published together as the inaugural volume of the Yale Library of Literature in Translation." (Braschi 1998: Yo-Yo Boing!: 13)
In the 1990s, Giannina Braschi began writing dramatic dialogues in English, Spanish, and "Spanglish. Her bilingual novel "Yo-Yo Boing! (AmazonCrossing) is experimental in format and radical in its defiance of English-only laws, "ethnic cleansing campaigns, and the "corporate censorship.
In 2011, Giannina Braschi debuted ""United States of Banana,” her first work written entirely in English; it is a "postmodern dramatic novel about the powers of the world shifting after September 11. The work is a poetic critique of 21st century "capitalism and corporate "censorship. In 2012, ""The Economist cited "United States of Banana" among the best sources for bold statements on the economy: "Banks are the temples of America. This is a "holy "war. Our "economy is our "religion". "United States of Banana,” takes as a springboard the collapse of the "World Trade Center, the event which displaced her from the Battery Park neighborhood that became known as the "Ground Zero vicinity. Braschi writes about the death of the businessman, the end of "democracy, and the delusion that all men are created equal. “Revolutionary in subject and form, "United States of Banana" is a beautifully written declaration of personal independence,” declared the late publisher "Barney Rosset former owner of "Grove Press of ""Evergreen Review.” The main characters are "Zarathustra, "Segismundo, "Hamlet, Giannina and the "Statue of Liberty; cameos are made by Latin American left wing leaders Fidel Castro, "Raul Castro, "Hugo Chavez, "Cristina Kirchner, and "Evo Morales.
In 2011, AmazonCrossing for "World Literature in Translation released all of Braschi's works under three separate English titles: "Empire of Dreams," ""Yo-Yo Boing!" and ""United States of Banana". Excerpts of Braschi's work have appeared in Swedish, French, Italian, and Serbian translations. Her collected poetry was translated into English by Tess O'Dwyer, who won the Columbia University Translation Center Award in 1991 for her rendition of "Empire of Dreams", which inaugurated the Yale Library of World Literature in Translation in 1994. Literary journals that have published Tess O'Dwyer's translations include: The Best of Review: Art and Literature of the Americas, Agni, "Ars Interpres, Dickinson Review, Callaloo, Artful Dodge, "Evergreen Review, Prose Poem, and Poet Magazine. A number of critics have commented on Braschi's texts, including "Jean Franco, "Harold Augenbraum, David William Foster, Julia Carroll, Kristian Van Haesendonck, Francine Masiello, "Ilan Stavans, Julio Ortega, "Lawrence La Fountain-Stokes, Madelena Gonzalez, Laura Loustau, Daniela Daniele, Arnaldo Cruz-Malavé, María Mercedes Carrión, Cristina Garrigos, Francisco José Ramos, Dennis Nurkse, Maritza Stanchich, and Doris Sommer.
’Braschi: one of the most revolutionary voices in Latin America today’
’Braschi, a poet, essayist and novelist often described as cutting-edge, influential and even revolutionary’
’Braschi is Puerto Rico's most influential and versatile writer of poetry, fiction, and essays’
'One of the most revolutionary voices in Latin American'
’Braschi explores the cultural and political journey of nearly 50 million Hispanic Americans living in the United States'
'Braschi offers ’a critique of 21st century capitalism in which [Braschi] condemned corporate censorship and control’
’Verdict: recommended for fans of philosophical fiction such as Nietzsche's Thus Spoke Zarathusa’
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