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Music is found in every known culture, past and present, varying widely between times and places. Since all people of the world, including the most isolated tribal groups, have a form of music, it may be concluded that music is likely to have been present in the ancestral population prior to the dispersal of humans around the world. Consequently, music may have been in existence for at least 55,000 years and the first music may have been invented in Africa and then evolved to become a fundamental constituent of human life.[1][2]

A culture's music is influenced by all other aspects of that culture, including social and economic organization and experience, climate, and access to technology. The emotions and ideas that music expresses, the situations in which music is played and listened to, and the attitudes toward music players and composers all vary between regions and periods. ""Music history" is the distinct subfield of "musicology and history which studies music (particularly "Western art music) from a chronological perspective.


Eras of music[edit]

Prehistoric music[edit]

Prehistoric music, once more commonly called primitive music, is the name given to all music produced in "preliterate cultures ("prehistory), beginning somewhere in very late "geological history. Prehistoric music is followed by "ancient music in most of Europe (1500 BC) and later music in subsequent European-influenced areas, but still exists in isolated areas.

Prehistoric music thus technically includes all of the world's music that has existed before the advent of any currently extant historical sources concerning that music, for example, traditional "Native American music of preliterate tribes and "Australian Aboriginal music. However, it is more common to refer to the "prehistoric" music of non-European continents – especially that which still survives – as "folk, indigenous or traditional music. The origin of music is unknown as it occurred prior to recorded history. Some suggest that the origin of music likely stems from naturally occurring "sounds and "rhythms. Human music may echo these "phenomena using "patterns, "repetition and "tonality. Even today, some cultures have certain instances of their "music intending to imitate natural sounds. In some instances, this feature is related to "shamanistic beliefs or practice.[3][4] It may also serve entertainment (game)[5][6] or practical (luring animals in hunt)[5] functions.

It is probable that the first "musical instrument was the "human voice itself, which can make a vast array of sounds, from singing, "humming and "whistling through to "clicking, "coughing and "yawning. As for other musical instruments, in 2008 archaeologists discovered a bone flute in the "Hohle Fels cave near "Ulm, "Germany.[7][8][9] Considered to be about 35,000 years old, the five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The oldest known wooden pipes were discovered near "Greystones, "Ireland, in 2004. A wood-lined pit contained a group of six flutes made from yew wood, between 30 and 50 cm long, tapered at one end, but without any finger holes. They may once have been strapped together.[10]

It has been suggested that the "Divje Babe Flute", a cave bear femur dated to be approximately 43'500 years old, is the world's oldest musical instrument and was produced by Neanderthal. Claims that the femur is indeed a musical instrument are, however, contested by alternative theories including the suggestion that the femur may have been gnawed by carnivores to produce holes.

Ancient music[edit]

"Sassanid women playing "Chang (instrument) in "Taq-e Bostan, "Iran (c. 379 AD)

The prehistoric age is considered to have ended with the development of writing, and with it, by definition, prehistoric music. "Ancient music" is the name given to the music that followed. The "oldest known song" was written in "cuneiform, dating to 3400 years ago from Ugarit. It was deciphered by Anne Draffkorn Kilmer, and was demonstrated to be composed in harmonies of thirds, like ancient "gymel,[11] and also was written using a "Pythagorean tuning of the "diatonic scale. The oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world, is the "Seikilos epitaph.

Double pipes, such as those used by the "ancient Greeks, and ancient bagpipes, as well as a review of ancient drawings on vases and walls, etc., and ancient writings (such as in Aristotle, Problems, Book XIX.12) which described musical techniques of the time, indicate polyphony. One pipe in the aulos pairs (double flutes) likely served as a "drone or "keynote," while the other played melodic passages. Instruments, such as the seven holed flute and various types of stringed instruments have been recovered from the "Indus valley civilization archaeological sites.[12]

"Indian classical music (marga) can be found from the scriptures of the "Hindu tradition, the "Vedas. "Samaveda, one of the four vedas, describes music at length.

"Ravanahatha (ravanhatta, rawanhattha, ravanastron or ravana hasta veena) is a bowed fiddle popular in Western India. It is believed to have originated among the Hela civilization of Sri Lanka in the time of King "Ravana. This string instrument has been recognised as one of the oldest string instruments in world history.

The history of musical development in Iran ("Persian music) dates back to the prehistoric era. The great legendary king, Jamshid, is credited with the invention of music. Music in Iran can be traced back to the days of the "Elamite Empire (2500-644 BC). Fragmentary documents from various periods of the country's history establish that the ancient Persians possessed an elaborate musical culture. The "Sassanid period (AD 226-651), in particular, has left us ample evidence pointing to the existence of a lively musical life in Persia. The names of some important musicians such as Barbod, Nakissa and Ramtin, and titles of some of their works have survived.

The "Early music era may also include contemporary but traditional or folk music, including "Asian music, Persian music, "music of India, "Jewish music, "Greek music, "Roman music, the "music of Mesopotamia, the "music of Egypt, and "Muslim music.


Greek written history extends far back into "Ancient Greece, and was a major part of ancient "Greek theatre. In ancient Greece, mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments included the double-reed "aulos and the plucked "string instrument, the "lyre, especially the special kind called a "kithara. Music was an important part of education in ancient Greece, and boys were taught music starting at age six.

Biblical period[edit]

"David with his harp" "Paris Psalter,
c. 960, "Constantinople

According to "Easton's Bible Dictionary, "Jubal was named by the Bible as the inventor of musical instruments (Gen. 4:21). The "Hebrews were much given to the cultivation of music. Their whole history and literature afford abundant evidence of this. After the "Deluge, the first mention of music is in the account of "Laban's interview with "Jacob (Gen. 31:27). After their triumphal passage of the "Red Sea, "Moses and the "children of Israel sang their song of "deliverance (Ex. 15). But the period of "Samuel, "David, and "Solomon was the golden age of Hebrew music, as it was of "Hebrew poetry. Music was now for the first time systematically cultivated. It was an essential part of training in the schools of the "prophets (1 Sam. 10:5). There now arose also a class of professional singers (2 Sam. 19:35; Eccl. 2:8). "Solomon's Temple, however, was the great school of music. In the conducting of its services large bands of trained singers and players on instruments were constantly employed (2 Sam. 6:5; 1 Chr. 15:16; 23;5; 25:1-6). In private life also music seems to have held an important place among the Hebrews (Eccl. 2:8; Amos 6:4-6; Isa. 5:11, 12; 24:8, 9; Ps. 137; Jer. 48:33; Luke 15:25).[13]

Music and theatre scholars studying the history and anthropology of "Semitic and early "Judeo-Christian culture, have also discovered common links between theatrical and musical activity in the classical cultures of the "Hebrews with those of the later cultures of the "Greeks and "Romans. The common area of performance is found in a "social phenomenon called "litany," a form of prayer consisting of a series of "invocations or "supplications. The Journal of Religion and Theatre notes that among the earliest forms of litany, "Hebrew litany was accompanied by a rich musical tradition:"[14]

While Genesis 4.21 identifies Jubal as the "father of all such as handle the harp and pipe", the "Pentateuch is nearly silent about the practice and instruction of music in the early life of "Israel. Then, in I Samuel 10 and the texts which follow, a curious thing happens. "One finds in the biblical text", writes Alfred Sendrey, "a sudden and unexplained upsurge of large "choirs and "orchestras, consisting of thoroughly organized and trained musical groups, which would be virtually inconceivable without lengthy, methodical preparation." This has led some scholars to believe that the prophet "Samuel was the "patriarch of a school which taught not only prophets and holy men, but also sacred-rite musicians. This public music school, perhaps the earliest in recorded history, was not restricted to a priestly class—which is how the shepherd boy "David appears on the scene as a minstrel to "King Saul.[14]

Early music[edit]

Early music is music of the European classical tradition from after the fall of the "Roman Empire, in 476 AD, until the end of the "Baroque era in the middle of the 18th century.["citation needed] Music within this enormous span of time was extremely diverse, encompassing multiple cultural traditions within a wide geographic area; many of the cultural groups out of which medieval Europe developed already had musical traditions, about which little is known. What unified these cultures in the Middle Ages was the "Roman Catholic Church, and its music served as the focal point for musical development for the first thousand years of this period.

Western art music[edit]

Medieval music[edit]

While musical life was undoubtedly rich in the early "Medieval era, as attested by artistic depictions of instruments, writings about music, and other records, the only repertory of music which has survived from before 800 to the present day is the "plainsong liturgical music of the Roman Catholic Church, the largest part of which is called "Gregorian chant. "Pope Gregory I, who gave his name to the musical repertory and may himself have been a composer, is usually claimed to be the originator of the musical portion of the liturgy in its present form, though the sources giving details on his contribution date from more than a hundred years after his death. Many scholars believe that his reputation has been exaggerated by legend. Most of the chant repertory was composed anonymously in the centuries between the time of Gregory and "Charlemagne.

During the 9th century several important developments took place. First, there was a major effort by the Church to unify the many chant traditions, and suppress many of them in favor of the Gregorian liturgy. Second, the earliest "polyphonic music was sung, a form of parallel singing known as "organum. Third, and of greatest significance for music history, "notation was reinvented after a lapse of about five hundred years, though it would be several more centuries before a system of pitch and rhythm notation evolved having the precision and flexibility that modern musicians take for granted.

Several schools of polyphony flourished in the period after 1100: the "St. Martial school of organum, the music of which was often characterized by a swiftly moving part over a single sustained line; the "Notre Dame school of polyphony, which included the composers "Léonin and "Pérotin, and which produced the first music for more than two parts around 1200; the musical melting-pot of "Santiago de Compostela in "Galicia, a pilgrimage destination and site where musicians from many traditions came together in the late Middle Ages, the music of whom survives in the "Codex Calixtinus; and the English school, the music of which survives in the "Worcester Fragments and the "Old Hall Manuscript. Alongside these schools of sacred music a vibrant tradition of secular song developed, as exemplified in the music of the "troubadours, "trouvères and "Minnesänger. Much of the later secular music of the early "Renaissance evolved from the forms, ideas, and the musical aesthetic of the troubadours, courtly poets and itinerant musicians, whose culture was largely exterminated during the "Albigensian Crusade in the early 13th century.

Forms of sacred music which developed during the late 13th century included the "motet, "conductus, "discant, and "clausulae. One unusual development was the "Geisslerlieder, the music of wandering bands of "flagellants during two periods: the middle of the 13th century (until they were suppressed by the Church); and the period during and immediately following the "Black Death, around 1350, when their activities were vividly recorded and well-documented with notated music. Their music mixed folk song styles with penitential or apocalyptic texts. The 14th century in European music history is dominated by the style of the "ars nova, which by convention is grouped with the medieval era in music, even though it had much in common with early Renaissance ideals and "aesthetics. Much of the surviving music of the time is secular, and tends to use the "formes fixes: the "ballade, the "virelai, the "lai, the "rondeau, which correspond to poetic forms of the same names. Most pieces in these forms are for one to three voices, likely with instrumental accompaniment: famous composers include "Guillaume de Machaut and "Francesco Landini.

Renaissance music[edit]

The beginning of the Renaissance in music is not as clearly marked as the beginning of the Renaissance in the other arts, and unlike in the other arts, it did not begin in "Italy, but in northern Europe, specifically in the area currently comprising central and northern "France, the "Netherlands, and "Belgium. The style of the "Burgundian composers, as the first generation of the "Franco-Flemish school is known, was at first a reaction against the excessive complexity and mannered style of the late 14th century "ars subtilior, and contained clear, singable melody and balanced "polyphony in all voices. The most famous composers of the Burgundian school in the mid-15th century are "Guillaume Dufay, "Gilles Binchois, and "Antoine Busnois.

By the middle of the 15th century, composers and singers from the "Low Countries and adjacent areas began to spread across Europe, especially into Italy, where they were employed by the papal chapel and the aristocratic patrons of the arts (such as the "Medici, the "Este, and the "Sforza families). They carried their style with them: smooth polyphony which could be adapted for sacred or secular use as appropriate. Principal forms of sacred musical composition at the time were the "mass, the "motet, and the "laude; secular forms included the "chanson, the "frottola, and later the "madrigal.

The invention of "printing had an immense influence on the dissemination of musical styles, and along with the movement of the Franco-Flemish musicians, contributed to the establishment of the first truly international style in European music since the unification of Gregorian chant under Charlemagne.["citation needed] Composers of the middle generation of the Franco-Flemish school included "Johannes Ockeghem, who wrote music in a contrapuntally complex style, with varied texture and an elaborate use of "canonical devices; "Jacob Obrecht, one of the most famous composers of masses in the last decades of the 15th century; and "Josquin des Prez, probably the most famous composer in Europe before "Palestrina, and who during the 16th century was renowned as one of the greatest artists in any form. Music in the generation after Josquin explored increasing complexity of "counterpoint; possibly the most extreme expression is in the music of "Nicolas Gombert, whose contrapuntal complexities influenced early instrumental music, such as the "canzona and the "ricercar, ultimately culminating in "Baroque "fugal forms.

By the middle of the 16th century, the international style began to break down, and several highly diverse stylistic trends became evident: a trend towards simplicity in sacred music, as directed by the "Counter-Reformation "Council of Trent, exemplified in the music of "Giovanni Pierluigi da Palestrina; a trend towards complexity and "chromaticism in the madrigal, which reached its extreme expression in the "avant-garde style of the "Ferrara School of "Luzzaschi and the late century madrigalist "Carlo Gesualdo; and the grandiose, sonorous music of the "Venetian school, which used the architecture of the Basilica "San Marco di Venezia to create "antiphonal contrasts. The music of the Venetian school included the development of "orchestration, ornamented instrumental parts, and "continuo bass parts, all of which occurred within a span of several decades around 1600. Famous composers in "Venice included the Gabrielis, "Andrea and "Giovanni, as well as "Claudio Monteverdi, one of the most significant innovators at the end of the era.

Most parts of Europe had active and well-differentiated musical traditions by late in the century. In England, composers such as "Thomas Tallis and "William Byrd wrote sacred music in a style similar to that written on the continent, while an active group of home-grown madrigalists adapted the Italian form for English tastes: famous composers included "Thomas Morley, "John Wilbye and "Thomas Weelkes. "Spain developed instrumental and vocal styles of its own, with "Tomás Luis de Victoria writing refined music similar to that of Palestrina, and numerous other composers writing for the new guitar. Germany cultivated polyphonic forms built on the Protestant "chorales, which replaced the Roman Catholic Gregorian Chant as a basis for sacred music, and imported the style of the Venetian school (the appearance of which defined the start of the Baroque era there). In addition, German composers wrote enormous amounts of "organ music, establishing the basis for the later Baroque organ style which culminated in the work of "J.S. Bach. France developed a unique style of musical diction known as "musique mesurée, used in secular chansons, with composers such as "Guillaume Costeley and "Claude Le Jeune prominent in the movement.

One of the most revolutionary movements in the era took place in Florence in the 1570s and 1580s, with the work of the "Florentine Camerata, who ironically had a reactionary intent: dissatisfied with what they saw as contemporary musical depravities, their goal was to restore the music of the ancient Greeks. Chief among them were "Vincenzo Galilei, the father of the astronomer, and "Giulio Caccini. The fruits of their labors was a declamatory melodic singing style known as "monody, and a corresponding staged dramatic form: a form known today as "opera. The first operas, written around 1600, also define the end of the Renaissance and the beginning of the Baroque eras.

Music prior to 1600 was "modal rather than "tonal. Several theoretical developments late in the 16th century, such as the writings on scales on "modes by "Gioseffo Zarlino and "Franchinus Gaffurius, led directly to the development of common practice tonality. The major and minor scales began to predominate over the old "church modes, a feature which was at first most obvious at cadential points in compositions, but gradually became pervasive. Music after 1600, beginning with the tonal music of the Baroque era, is often referred to as belonging to the "common practice period.

Baroque music[edit]

Portrait of Italian composer "Claudio Monteverdi in "Venice, by "Bernardo Strozzi, c. 1630
"J.S. Bach
"Toccata and Fugue

The Baroque era took place from 1600 to 1750, as the "Baroque artistic style flourished across Europe and, during this time, music expanded in its range and complexity. Baroque music began when the first operas (dramatic solo vocal music accompanied by orchestra) were written. During the Baroque era, "polyphonic "contrapuntal music, in which multiple, simultaneous independent melody lines were used, remained important (counterpoint was important in the vocal music of the Medieval era).["clarification needed] German, Italian, French, Dutch, Polish, Spanish, Portuguese, and English Baroque composers wrote for small "ensembles including "strings, "brass, and "woodwinds, as well as for "choirs and keyboard instruments such as "pipe organ, "harpsichord, and "clavichord. During this period several major music forms were defined that lasted into later periods when they were expanded and evolved further, including the "fugue, the "invention, the "sonata, and the concerto.[15] The late Baroque style was polyphonically complex and richly ornamented. Important composers from the Baroque era include "Johann Sebastian Bach, "Arcangelo Corelli, "François Couperin, "Girolamo Frescobaldi, "George Frideric Handel, "Jean-Baptiste Lully, "Claudio Monteverdi, "Georg Philipp Telemann and "Antonio Vivaldi.

Classical music era[edit]

The music of the Classical period is characterized by "homophonic texture, or an obvious "melody with "accompaniment. These new melodies tended to be almost voice-like and singable, allowing composers to actually replace singers as the focus of the music. Instrumental music therefore quickly replaced "opera and other sung forms (such as "oratorio) as the favorite of the musical audience and the epitome of great composition. However, opera did not disappear: during the classical period, several composers began producing operas for the general public in their native languages (previous operas were generally in Italian).

"Wolfgang Amadeus Mozart's compositions characterized music of the classical era.

Along with the gradual displacement of the voice in favor of stronger, clearer melodies, counterpoint also typically became a decorative flourish, often used near the end of a work or for a single "movement. In its stead, simple patterns, such as arpeggios and, in piano music, "Alberti bass (an accompaniment with a repeated pattern typically in the left hand), were used to liven the movement of the piece without creating a confusing additional voice. The now-popular instrumental music was dominated by several well-defined forms: the "sonata, the "symphony, and the "concerto, though none of these were specifically defined or taught at the time as they are now in "music theory. All three derive from "sonata form, which is both the overlying form of an entire work and the structure of a single movement. Sonata form matured during the Classical era to become the primary form of instrumental compositions throughout the 19th century.

The early Classical period was ushered in by the "Mannheim School, which included such composers as "Johann Stamitz, "Franz Xaver Richter, "Carl Stamitz, and "Christian Cannabich. It exerted a profound influence on "Joseph Haydn and, through him, on all subsequent European music. "Wolfgang Amadeus Mozart was the central figure of the Classical period, and his phenomenal and varied output in all genres defines our perception of the period. "Ludwig van Beethoven and "Franz Schubert were transitional composers, leading into the Romantic period, with their expansion of existing genres, forms, and even functions of music.

Romantic music[edit]

The title character from a 19th-century performance of "Wagner's "opera "Siegfried

In the Romantic period, music became more expressive and emotional, expanding to encompass literature, art, and philosophy. Famous early Romantic composers include "Schumann, "Chopin, "Mendelssohn, "Bellini, and "Berlioz. The late 19th century saw a dramatic expansion in the size of the "orchestra, and in the role of concerts as part of "urban society. Famous composers from the second half of the century include "Johann Strauss II, "Brahms, "Liszt, "Tchaikovsky, "Verdi, and "Wagner. Between 1890 and 1910, a third wave of composers including "Dvořák, "Mahler, "Richard Strauss, "Puccini, and "Sibelius built on the work of middle Romantic composers to create even more complex – and often much longer – musical works. A prominent mark of late 19th century music is its nationalistic fervor, as exemplified by such figures as Dvořák, Sibelius, and "Grieg. Other prominent late-century figures include "Saint-Saëns, "Fauré, "Rachmaninoff and "Franck.

20th and 21st-century music[edit]

The 20th century saw a revolution in music listening as the radio gained popularity worldwide and new media and technologies were developed to record, capture, reproduce and distribute music. Music performances became increasingly visual with the broadcast and recording of music videos and concerts.["citation needed] Music of all kinds also became increasingly portable. Headphones allowed people sitting next to each other to listen to entirely different performances or share the same performance.["citation needed]

20th-century music brought a new freedom and wide experimentation with new musical styles and forms that challenged the accepted rules of music of earlier periods.["citation needed] The invention of musical "amplification and "electronic instruments, especially the synthesizer, in the mid-20th century revolutionized popular music and accelerated the development of new forms of music.["citation needed]

As for classical music, two fundamental schools determined the course of the century: that of "Arnold Schoenberg and that of "Igor Stravinsky.["citation needed]

Classical music outside Europe[edit]

Classical music is a broad, imprecise category, including music produced in, or rooted in the traditions of art, ecclesiastical and concert music. A music is classical if it includes some of the following features: a learned tradition, support from the church or government, or greater cultural capital. Classical music is also described as complex, lasting, transcendent, and abstract.["citation needed] In many cultures a classical tradition coexisted with traditional or popular music, occasionally for thousands of years, and with different levels of mutual borrowing with the parallel tradition.

Sub-Saharan African music is by a strong rhythmic interest that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. C. K. also affirms the profound homogeneity of approach. West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: "samba, "forró, "maracatu and "coco in Brazil, Afro-Cuban music and Afro-American musical genres such as "blues, "jazz, "rhythm & blues, "funk, "soul, "reggae, "hip hop and "rock and roll were thereby of immense importance in 20th-century popular music.["clarification needed]


"Byzantine music (Greek: Βυζαντινή Μουσική) is the music of the Byzantine Empire composed to Greek texts as ceremonial, festival, or church music. Greek and foreign historians agree that the ecclesiastical tones and in general the whole system of Byzantine music is closely related to the ancient Greek system. It remains the oldest genre of extant music, of which the manner of performance and (with increasing accuracy from the 5th century onwards) the names of the composers, and sometimes the particulars of each musical work's circumstances, are known.


Asian music covers the music cultures of "Arabia, "Central Asia, "East Asia, "South Asia, and "Southeast Asia.


Indian music is one of the oldest musical traditions in the world.[16] The "Indus Valley civilization left sculptures which show dance[17] and musical instruments (some no longer in use), like the seven holed flute. Various types of stringed instruments and drums have been recovered from "Harrappa and "Mohenjo Daro by excavations carried out by "Sir Mortimer Wheeler.[18] The "Rigveda has elements of present Indian music, with a musical notation to denote the metre and the mode of chanting.[19] Early Indian musical tradition also speaks of three accents and vocal music known as "Samagan" (Sama meaning melody and Gan meaning to sing).[20] The classical music of India includes two major traditions: the southern "Carnatic music and the northern "Hindustani classical music. India's classical music tradition is millennia long and remains important to the lives of Indians today as a source of religious inspiration, cultural expression, and entertainment.

Indian classical music (marga) is monophonic, and based on a single melody line or "raga rhythmically organized through "talas. Carnatic music is largely devotional; the majority of the songs are addressed to the Hindu deities. There are a lot of songs emphasising love and other social issues. In contrast to Carnatic music, Hindustani music was not only influenced by ancient Hindu musical traditions, Vedic philosophy and native Indian sounds but also by the Persian performance practices of the Afghan Mughals. The origins of Indian classical music can be found from the oldest of scriptures, part of the "Hindu tradition, the "Vedas. "Samaveda, one of the four vedas describes music at length.


Chinese classical music is the traditional art or court music of China. It has a long history stretching for more than three thousand years. It has its own unique systems of musical notation, as well as musical tuning and pitch, musical instruments and styles or musical genres. Chinese music is pentatonic-diatonic, having a scale of twelve notes to an octave (5+7 = 12) as does European-influenced music.["citation needed]

Middle East[edit]


Ancient Iranians attached great importance to music and poetry. 7th century plate depicts "Sassanid era musicians. "The British Museum.

Persian music is the music of "Persia and Persian language countries: musiqi, the science and art of music, and muzik, the sound and performance of music (Sakata 1983). See: "Music of Iran, "Music of Afghanistan, "Music of Tajikistan, "Music of Uzbekistan.


To the right are some music samples.

See also[edit]


  1. ^ Wallin, Nils Lennart; Steven Brown; "Björn Merker (2001). The Origins of Music. Cambridge: MIT Press. "ISBN "0-262-73143-6. 
  2. ^ Krause, Bernie. (2012). "The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places," Little Brown/Hachette, New York.
  3. ^ Hoppál 2006: 143 Archived 2015-04-02 at the "Wayback Machine.
  4. ^ Diószegi 1960: 203
  5. ^ a b Nattiez: 5
  6. ^ 4.3.02, Bruno Desch�nes -. "Inuit Throat-Singing". www.mustrad.org.uk. Retrieved 28 March 2018.  replacement character in |first= at position 12 ("help)
  7. ^ Conard, NJ (2009). "A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany". Nature. 459 (7244): 248–52. "doi:10.1038/nature07995. "PMID 19444215. 
  8. ^ Wilford, John N. (June 24, 2009). "Flutes Offer Clues to Stone-Age Music". The New York Times. Retrieved June 29, 2009. 
  9. ^ "Schwäbische Alb: Älteste Flöte vom Hohle Fels". epoc.de. Retrieved 28 March 2018. 
  10. ^ "Wooden pipe find excites Irish archaeologists". abc.net.au. 10 May 2004. Retrieved 28 March 2018. 
  11. ^ Kilmer, Crocker, Brown, Sounds from Silence, 1976, Bit Enki, Berkeley, Calif., LCC 76-16729
  12. ^ Massey, Reginald; Massey, Jamila (28 March 1996). "The Music of India". Abhinav Publications. Retrieved 28 March 2018 – via Google Books. 
  13. ^ Easton's Bible Dictionary, "Music", 1897
  14. ^ a b "A Theatre Before the World: Performance History at the Intersection of Hebrew, Greek, and Roman Religious Processional" The Journal of Religion and Theatre, Vol. 5, No. 1, Summer 2006.
  15. ^ "Baroque Music by Elaine Thornburgh and Jack Logan, Ph.D." trumpet.sdsu.edu. Archived from the original on 5 September 2015. Retrieved 27 October 2015. 
  16. ^ World Music: The Basics By Nidel Nidel, Richard O. Nidel (page 219)
  17. ^ World History: Societies of the Past By Charles Kahn (page 98)
  18. ^ World History: Societies of the Past By Charles Kahn (page 11)
  19. ^ World Music: The Basics By Nidel Nidel, Richard O. Nidel (page 10)
  20. ^ The Music of India By Jamila Massey, Reginald Massey (page 13)

Further reading[edit]

External links[edit]

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