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"Self-portrait by Motoori
|Born||21 June 1730|
|Died||5 November 1801
|Other names||本居 宣長|
Motoori Norinaga (本居 宣長, 21 June 1730 – 5 November 1801) was a "Japanese scholar of "Kokugaku active during the "Edo period. He is probably the best known and most prominent of all scholars in this tradition.
Norinaga was born in what is now "Matsusaka in "Ise Province (now part of "Mie Prefecture) as the second son of an Otsu merchant house (the film director "Yasujirō Ozu was a descendant of the same line). After his elder brother’s death, Norinaga succeeded to the Ozu line. At one stage he was adopted out to a paper-making family but the bookish boy was not suited to business.
It was at his mother's suggestion that, at the age of 22, Norinaga went to "Kyoto to study medicine. In Kyoto, he also studied Chinese and Japanese "philology under the "neo-Confucianist Hori Keizan. It was at this time that Norinaga became interested in the Japanese classics and decided to enter the field of "Kokugaku under the influence of "Ogyū Sorai and "Keichū. (With changes in the language, the ancient classics were already poorly understood by Japanese in the Edo period and texts needed philological analysis in order to be properly understood.) Life in Kyoto also instilled in the young Norinaga a love of traditional Japanese court culture.
Returning to Matsusaka, Norinaga opened a medical practice for infants while devoting his spare time to lectures on "The Tale of Genji and studies of the "Nihon Shoki (Chronicles of Japan). At the age of 27, he bought several books by "Kamo no Mabuchi and embarked on his Kokugaku researches. As a doctor, he adopted the name of one of his samurai ancestors, Motoori.
In 1763, Norinaga met Mabuchi in person when the latter visited Matsusaka, a meeting that has come down in history as ‘the night in Matsusaka’. Norinaga took the occasion to ask Mabuchi to supervise his annotations of the "Kojiki ("Records of Ancient Matters"). Mabuchi suggested that Norinaga should first tackle the annotations to the "Man'yōshū in order to accustom himself to the ancient "kana usage known as the "man'yōgana. This was the only meeting between the two men, but they continued to correspond and, with Mabuchi’s encouragement, Norinaga later went on to full-fledged research into the Kojiki.
Norinaga’s disciples included Ishizuka Tatsumaro, Nagase Masaki, Natsume Mikamaro, Takahashi Mikiakira and Motoori Haruniwa (Norinaga’s son).
Although overshadowed by his activities as a Kokugaku scholar, Norinaga spent 40 years as a practicing doctor in Matsusaka and was seeing patients until 10 days before his death in 1801.
Norinaga’s most important works include the Kojiki-den (Commentaries on the Kojiki), made over a period of around 35 years, and his annotations on the Tale of Genji. Norinaga took the view that the heritage of ancient Japan was one of natural spontaneity in feelings and spirit, and that imported Confucianism ran counter to such natural feelings. He criticized Ogyū Sorai for his worship of Chinese civilization and thought, although it has been pointed out that his philological methodology was heavily influenced by Sorai's. His ideas were influenced by the Chinese intellectual "Wang Yangming (Ō Yōmei in Japanese), who had argued for innate knowing, that mankind had a naturally intuitive (as opposed to rational) ability to distinguish good and evil.
Hitherto scholars of ancient literature had shown a preference for the grandness and masculinity of Man'yōshū poetry and an aversion to works like the Tale of Genji, which were regarded as unmanly and feminine. Norinaga resurrected the position of the Tale of Genji, which he regarded as an expression of "mono no aware, a particular Japanese sensibility of "sorrow at evanescence" that Norinaga claimed forms the essence of Japanese literature.
In undertaking his textual analysis of ancient Japanese, Norinaga also made vital contributions to establishing a native Japanese grammatical tradition, in particular the analysis of "clitics, "particles and auxiliary verbs.
Within the grounds of "Matsusaka Castle in the city of Matsusaka, the house Motoori Norinaga kyu-taku (本居宣長旧宅) where Motoori Norinaga lived from age 12 to age 72 is preserved as a memorial museum Motoori Norinaga Commemoraive Museum (本居宣長記念館 Motoori Norinaga kinenkan). The building, which was originally built as a retirement home for Norinaga’s grandfather in 1693, was moved to its present location in 1909. It was proclaimed a "Special National Monument by the Japanese government in 1953. An effort has been made to preserve the interior as closely as possible to the time when it was used by Norinaga, and his writing studio on the second floor contains some examples of original manuscripts. The museum houses many artifacts that are protected as "Important Cultural Properties of Japan, of which only a small portion is on display at any time.
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