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Muse, perhaps "Clio, reading a scroll (Attic red-figure "lekythos, "Boeotia, c. 430 BC)

The Muses are the "inspirational goddesses of "literature, "science, and "the arts in Greek mythology. They were considered the source of the knowledge embodied in the "poetry, "lyric songs, and "myths that were related orally for centuries in these ancient cultures. They were later adopted by the Romans as a part of their "pantheon.

In current English usage, "muse" can refer in general to a person who inspires an artist, musician, or writer.[1]

Contents

Etymology[edit]

The Muses "/ˈmjzɪz/ ("Ancient Greek: Μοῦσαι, Moũsai) perhaps came from the "o-grade of the "Proto-Indo-European root *men- ("to think")[2] or from root *men- ("to tower, mountain") since all the most important cult-centres of the Muses were on mountains or hills.[3]

Number and names[edit]

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"Gustave Moreau: Hesiod and the Muse (1891)—"Musée d'Orsay, Paris

The earliest known records of the Nine Muses are from "Boeotia, the homeland of "Hesiod. Some ancient authorities thought that the Nine Muses were of "Thracian origin.[4] There, a tradition persisted that the Muses had once been three in number.[5] In the first century BC, "Diodorus Siculus quotes Hesiod to the contrary, observing:

Writers similarly disagree also concerning the number of the Muses; for some say that there are three, and others that there are nine, but the number nine has prevailed since it rests upon the authority of the most distinguished men, such as "Homer and Hesiod and others like them.[6]

Diodorus also states (Book I.18) that "Osiris first recruited the nine Muses, along with the "Satyrs, while passing through "Ethiopia, before embarking on a tour of all Asia and Europe, teaching the arts of cultivation wherever he went. According to Hesiod's account (c. 600 BC), generally followed by the writers of antiquity, the Nine Muses were the nine daughters of "Zeus and "Mnemosyne (i. e. "Memory" personified), figuring as personifications of knowledge and the arts, especially literature, dance and music.

The Roman scholar "Varro (116–27 BC) relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were called "Melete or "Practice", "Mneme or "Memory" and "Aoide or "Song". Three ancient Muses were also reported in "Plutarch's (46–120 AD) Quaestiones Convivales[7] (9.I4.2–4).[8]

However, the "classical understanding of the Muses tripled their triad and established a set of nine goddesses, who embody the arts and inspire creation with their graces through remembered and "improvised song and mime, writing, traditional music, and dance. It was not until "Hellenistic times that the following systematic set of functions was assigned to them, and even then there was some variation in both their names and their attributes: "Calliope ("epic poetry), "Clio (history), "Euterpe (flutes and lyric poetry), "Thalia (comedy and pastoral poetry), "Melpomene (tragedy), "Terpsichore (dance), "Erato (love poetry), "Polyhymnia (sacred poetry), "Urania (astronomy).

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The nine Muses on a Roman "sarcophagus (second century AD)—"Louvre, Paris

According to "Pausanias in the later second century AD,[9] there were three original Muses, worshiped on "Mount Helicon in "Boeotia: Aoidḗ ("song" or "tune"), Melétē ("practice" or "occasion"), and Mnḗmē ("memory"). Together, these three form the complete picture of the preconditions of poetic art in "cult practice. In "Delphi three Muses were worshiped as well, but with other names: Nḗtē, Mésē, and Hýpatē, which are assigned as the names of the three cords of the ancient musical instrument, the "lyre. Alternatively they later were called "Kēphisṓ, Apollōnís, and Borysthenís, which names characterize them as daughters of "Apollo. In later tradition, a set of four Muses were recognized: Thelxinóē, Aoidḗ "Archē, and Melétē, said to be daughters of Zeus and Plusia or of "Uranus.

One of the people frequently associated with the Muses was "Pierus. By some he was called the father (by a "Pimpleian nymph, called Antiope by "Cicero) of a total of seven Muses, called Neilṓ (Νειλώ), Tritṓnē (Τριτώνη), Asōpṓ (Ἀσωπώ), Heptápora (Ἑπτάπορα), Achelōís, Tipoplṓ (Τιποπλώ), and Rhodía (Ῥοδία).[10]

Mythology[edit]

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Apollo and the Muses on Mount Helicon (1680) by "Claude Lorrain
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Thalia, Muse of comedy, holding a comic mask (detail from the “Muses Sarcophagus”)

According to "Hesiod's "Theogony (seventh century BC), they were daughters of "Zeus, the second generation king of the gods, and the offspring of "Mnemosyne, goddess of memory. For "Alcman and "Mimnermus, they were even more "primordial, springing from the early deities, "Uranus and "Gaia. Gaia is "Mother Earth, an "early mother goddess who was worshipped at "Delphi from prehistoric times, long before the site was rededicated to Apollo, possibly indicating a transfer to association with him after that time.

Sometimes the Muses are referred to as water "nymphs, associated with the springs of "Helicon and with "Pieris. It was said that the winged horse "Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the Muses were born.[11] "Athena later tamed the horse and presented him to the Muses. (Compare the Roman inspiring nymphs of springs, the "Camenae, the "Völva of "Norse Mythology and also the "apsaras in the mythology of classical "India.)

Classical writers set "Apollo as their leader, Apollon Mousagetēs ("Apollo Muse-leader").[12] In one myth, the Muses judged a contest between "Apollo and "Marsyas. They also gathered the pieces of the dead body of "Orpheus, son of "Calliope, and buried them in "Leivithra. In a later myth, "Thamyris challenged them to a singing contest. They won and punished Thamyris by blinding him and robbing him of his singing ability.

According to a myth from "Ovid's Metamorphoses—alluding to the connection of the Muses with Pieria—King "Pierus, king of "Macedon, had nine daughters he named after the nine Muses, believing that their skills were a great match to the Muses. He thus challenged the Muses to a match, resulting in his daughters, the "Pierides, being turned into chattering "magpies for their presumption.[13]

"Pausanias records a tradition of two generations of Muses; the first are the daughters of "Uranus and "Gaia, the second of "Zeus and "Mnemosyne. Another, rarer genealogy is that they are daughters of "Harmonia (the daughter of "Aphrodite and "Ares), which contradicts the myth in which they were dancing at the wedding of "Harmonia and "Cadmus.

Emblems[edit]

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"Polyhymnia, the Muse of sacred "poetry, sacred "hymn and "eloquence as well as agriculture and "pantomime.
Muse Domain Emblem
"Calliope "Epic poetry "Writing tablet, "Stylus, "Lyre
"Clio "History "Scrolls, "Books, "Cornet, "Laurel wreath
"Euterpe "Music, "Song, and "Lyric Poetry "Aulos (an "ancient Greek "musical instrument like a "flute), "panpipes, "laurel wreath
"Erato "Love poetry "Cithara (an "ancient Greek "musical instrument in the "lyre family)
"Melpomene "Tragedy "Tragic mask, "Sword (or any kind of "blade), "Club, "Kothornos (boots)
"Polyhymnia "Hymns "Veil, "Grapes (referring to her as an agricultural goddess)
"Terpsichore "Dance "Lyre, "Plectrum
"Thalia "Comedy "Comic mask, "Shepherd's crook (the "vaudeville act of pulling someone off the stage with a hook is a reference to Thalia's crook), "Ivy wreath
"Urania "Astronomy "Globe and "compass

Some Greek writers give the names of the nine Muses as "Kallichore, "Helike, Eunike, "Thelxinoë, Terpsichore, Euterpe, Eukelade, "Dia, and Enope.[14]

In "Renaissance and "Neoclassical art, the dissemination of "emblem books such as "Cesare Ripa's Iconologia (1593 and many further editions) helped standardize the depiction of the Muses in sculpture and painting, so they could be distinguished by certain props. These props, or "emblems, became readily identifiable by the viewer, enabling one immediately to recognize the Muse and the art with which she had become associated. Here again, Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Euterpe (song and elegiac poetry) carries a flute, the "aulos; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (choral dance and song) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a pair of compasses and the celestial globe.

Functions[edit]

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The Muses "Clio, "Euterpe, and "Thalia, by "Eustache Le Sueur

In society[edit]

Greek mousa is a common noun as well as a type of goddess: it literally means "art" or "poetry". According to "Pindar, to "carry a mousa" is "to excel in the arts". The word probably derives from the Indo-European root men-, which is also the source of Greek "Mnemosyne, English "mind", "mental" and "memory" and Sanskrit ""mantra"["citation needed].

The Muses, therefore, were both the embodiments and sponsors of performed metrical speech: mousike (whence the English term "music") was just "one of the arts of the Muses". Others included Science, Geography, Mathematics, Philosophy, and especially Art, Drama, and inspiration. In the archaic period, before the widespread availability of books (scrolls), this included nearly all of learning. The first Greek book on astronomy, by "Thales, took the form of "dactylic hexameters, as did many works of "pre-Socratic philosophy. Both "Plato and the "Pythagoreans explicitly included philosophy as a sub-species of mousike.[15] The Histories of "Herodotus, whose primary medium of delivery was public recitation, were divided by Alexandrian editors into nine books, named after the nine Muses.

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The Muses "Melpomene, "Erato, and "Polyhymnia, by Eustache Le Sueur

For poet and "law-giver" "Solon,[16] the Muses were "the key to the good life"; since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals each year. He believed that the Muses would help inspire people to do their best.

Invoking the Muse in literature[edit]

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Melpomene and Polyhymnia, "Palacio de Bellas Artes, Mexico

Ancient authors and their imitators "invoke Muses when writing poetry, hymns or epic history. The invocation occurs near the beginning of their work. It asks for help or inspiration from the Muses, or simply invites the Muse to sing directly through the author.


Originally, the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulas. For example:

Sing to me of the man, Muse, the man of twists and turns

driven time and again off course, once he had plundered the hallowed heights of Troy.

— "Homer, in Book I of "The Odyssey ("Robert Fagles translation, 1996)

O Muse! the causes and the crimes relate;

What goddess was provok'd, and whence her hate; For what offense the Queen of Heav'n began To persecute so brave, so just a man; [...]

— "Virgil, in Book I of the "Aeneid ("John Dryden translation, 1697)

Besides Homer and Virgil, other famous works that included an invocation of the Muse are the first of the carmina by "Catullus, "Ovid's "Metamorphoses and "Amores, "Dante's "Inferno (Canto II), "Chaucer's "Troilus and Criseyde (Book II), "Shakespeare's "Henry V (Act 1, Prologue), his 38th "sonnet, and "Milton's "Paradise Lost (opening of Book 1).

From cults to modern museums[edit]

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"Chariot clock by Carlo Franzoni, 1819, depicting Clio.

When "Pythagoras arrived at "Croton, his first advice to the Crotoniates was to build a shrine to the Muses at the center of the city, to promote civic harmony and learning. Local cults of the Muses often became associated with springs or with fountains. The Muses themselves were sometimes called Aganippids because of their association with a fountain called "Aganippe. Other fountains, "Hippocrene and "Pirene, were also important locations associated with the Muses. Some sources occasionally referred to the Muses as "Corycides" (or "Corycian "nymphs") after a cave on "Mount Parnassos, called the "Corycian Cave. The Muses were venerated especially in "Boeotia, in the "Valley of the Muses near "Helicon, and in "Delphi and the "Parnassus, where Apollo became known as Mousagetes ("Muse-leader") after the sites were rededicated to his cult.

Often Muse-worship was associated with the "hero-cults of poets: the tombs of "Archilochus on "Thasos and of "Hesiod and "Thamyris in "Boeotia all played host to festivals in which poetic recitations accompanied sacrifices to the Muses. The "Library of Alexandria and its circle of scholars formed around a mousaion (i. e. ""museum" or shrine of the Muses) close to the tomb of "Alexander the Great. Many "Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. A famous "Masonic lodge in pre-Revolutionary "Paris was called "Les Neuf Soeurs ("The Nine Sisters", that is, the Nine Muses); "Voltaire, "Benjamin Franklin, "Danton, and other influential Enlightenment figures attended it. As a side-effect of this movement the word "museum" (originally, "cult place of the Muses") came to refer to a place for the public display of knowledge.

Modern use[edit]

Not only are the Muses explicitly used in modern English to refer to an "artistic inspiration, as when one cites one's own artistic muse, but they also are implicit in words and phrases such as "amuse", "museum" (Latinised from mouseion—a place where the Muses were worshipped), "music", and "musing upon".[17] In current literature, the influential role that the Muse plays has been extended to the political sphere.[18] Along with a majority of the Greek Gods, five of the Muses (Thalia, Clio, Calliope, Melpomene and Terpsicore) appeared in the "Walt Disney animated film "Hercules (based on "Hercules), where they narrate the film through song and dance. These versions of the Muses are modeled after "African American "Gospel singers. All nine Muses appeared in several paintings in the 72-piece art collection of Dante's Inferno by Dino Di Durante, which is printed in books titled Inferno: The Art Collection and available in 33 languages. This said collection was also featured in the medium length film Dante's Hell Animated by Boris Acosta.

There is a modern tendency to speak of "Kinema as the "tenth Muse.[19]

Gallery[edit]

See also[edit]

References[edit]

  1. ^ "muse". The "Merriam-Webster Online Dictionary. Retrieved February 15, 2009.
  2. ^ From which mind and mental are also derived; see "Oxford English Dictionary.
  3. ^ * A. B. Cook (1914), Zeus: A Study in Ancient Religion, Vol. I, p. 104, Cambridge University Press
  4. ^ H. Munro Chadwick, Nora K. Chadwick (2010). "The Growth of Literature". Cambridge University Press. "ISBN "9781108016155. 
  5. ^ At least, this was reported to "Pausanias in the second century AD. Cfr. Karl Kerényi: The Gods of the Greeks, Thames & Hudson, London 1951, p. 104 and note 284.
  6. ^ "Diodorus Siculus, 4.7.1–2 (on-line text)
  7. ^ See also the Italian article on this writer.
  8. ^ Diodorus, Plutarch and Pausanias are all noted by Susan Scheinberg, in reporting other Hellenic maiden triads, in "The Bee Maidens of the Homeric Hymn to Hermes", Harvard Studies in Classical Philology, 83 (1979:1–28), p. 2.
  9. ^ Pausanias, Description of Greece 9.29.1.
  10. ^ "Smith, William; "Dictionary of Greek and Roman Biography and Mythology, London (1873). "Musae" .
  11. ^ "Elysium Gates - Historical Pegasus". 
  12. ^ For example, Plato, Laws 653d.
  13. ^ Ovid, "Metamorphoses 5.677–78: "Now their previous eloquence also remained in the birds, as well as their strident chattering and their great zeal for speaking." See also "Antoninus Liberalis 9.
  14. ^ "Tzetzes, Scholia in Hesiodi Opera 1,23
  15. ^ "Strabo 10.3.10.
  16. ^ Solon, fragment 13.
  17. ^ "OED derives "amuse" from French a- ("from") and muser, "to stare stupidly or distractedly".
  18. ^ Adam J. Sorkin: Politics and the Muse. Studies in the Politics of Recent American Literature. Bowling Green State University Popular Press, Bowling Green/OH 1989 (on-line version).
  19. ^ http://www.kinema.uwaterloo.ca/article.php?id=405&feature

External links[edit]

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