A pencil is a "writing implement or "art medium constructed of a narrow, solid "pigment core inside a protective casing which prevents the core from being broken and/or from leaving marks on the user’s hand during use.
Pencils create marks by physical "abrasion, leaving behind a trail of solid core material that adheres to a sheet of paper or other surface. They are distinct from "pens, which instead disperse a trail of liquid or gel ink that stains the light colour of the paper by absorption.
Most pencil cores are made of "graphite mixed with a "clay binder which leaves grey or black marks that can be easily "erased. Graphite pencils are used for both "writing and "drawing and result in durable markings: though writing is easily removable with an eraser, it is otherwise resistant to moisture, most chemicals, "ultraviolet radiation, and natural aging. Other types of pencil core are less widely used, such as charcoal pencils, which are mainly used by artists for drawing and "sketching. "Coloured pencils are sometimes used by teachers or editors "to correct submitted texts, but are typically regarded as art supplies, especially those with waxy core binders that tend to smear on paper instead of erasing. "Grease pencils have a softer, "crayon-like waxy core that can leave marks on smooth surfaces such as glass or porcelain.
The most common type of pencil casing is of thin wood, usually "hexagonal in section but sometimes "cylindrical, permanently bonded to the core. Similar permanent casings may be constructed of other materials such as plastic or paper. To use the pencil, the casing must be carved or peeled off to expose the working end of the core as a sharp point. "Mechanical pencils have more elaborate casings which are not permanently bonded to the core. Instead, the casing supports a separate, mobile piece of pigment core that can be extended or retracted through the casing tip as needed; these pencil casings can be re-loaded with a new core (usually graphite) when necessary.
Pencil, from "Old French pincel, from "Latin penicillus a "little tail" (see penis; pincellus is Latin from the post-classical period) originally referred to an artist's fine brush of camel hair, also used for writing before modern lead or chalk pencils.
Though the "archetypal pencil was an artist's brush, the "stylus, a thin metal stick used for scratching in "papyrus or "wax tablets, was used extensively by the "Romans and for "palm-leaf manuscripts.
Prior to 1565 (some sources say as early as 1500), a large deposit of "graphite was discovered on the approach to "Grey Knotts from the hamlet of "Seathwaite in "Borrowdale parish, "Cumbria, England. This particular deposit of graphite was extremely pure and solid, and it could easily be sawn into sticks. It remains the only large-scale deposit of graphite ever found in this solid form. "Chemistry was in its infancy and the substance was thought to be a form of "lead. Consequently, it was called plumbago (Latin for "lead "ore"). Because the pencil core is still referred to as "lead", or a "lead", many people have the misconception that the graphite in the pencil is lead, and the black core of pencils is still referred to as lead, even though it never contained the "element lead. The words for pencil in German (bleistift), Irish (peann luaidhe), Arabic (قلم رصاص qalam raṣāṣ), and some other languages literally mean lead pen.
The value of graphite would soon be realised to be enormous, mainly because it could be used to line the moulds for "cannonballs; the mines were taken over by "the Crown and were guarded. When sufficient stores of graphite had been accumulated, the mines were flooded to prevent theft until more was required.
The usefulness of graphite for pencils was discovered as well, but graphite for pencils had to be smuggled. The news of the usefulness of these early pencils spread far and wide, attracting the attention of artists all over the known world.["citation needed] Because graphite is soft, it requires some form of "encasement. Graphite sticks were initially wrapped in string or "sheepskin for stability. England would enjoy a monopoly on the production of pencils until a method of reconstituting the graphite powder was found in 1662 in Italy. However, the distinctively square English pencils continued to be made with sticks cut from natural graphite into the 1860s. The town of "Keswick, near the original findings of block graphite, still manufactures pencils, the factory also being the location of the "Cumberland Pencil Museum. The meaning of "graphite writing implement" apparently evolved late in the 16th century.
Around 1560, an Italian couple named Simonio and Lyndiana Bernacotti made what are likely the first blueprints for the modern, wood-encased "carpentry pencil. Their version was a flat, oval, more compact type of pencil. Their concept involved the hollowing out of a stick of "juniper wood. Shortly thereafter, a superior technique was discovered: two wooden halves were carved, a graphite stick inserted, and the halves then glued together—essentially the same method in use to this day.
English and German pencils were not available to the French during the "Napoleonic Wars; France, under naval blockade imposed by Great Britain, was unable to import the pure graphite sticks from the British Grey Knotts mines – the only known source in the world. France was also unable to import the inferior German graphite pencil substitute. It took the efforts of an officer in "Napoleon's army to change this. In 1795, "Nicolas-Jacques Conté discovered a method of mixing powdered graphite with "clay and forming the mixture into rods that were then fired in a "kiln. By varying the ratio of graphite to clay, the hardness of the graphite rod could also be varied. This method of manufacture, which had been earlier discovered by the Austrian "Joseph Hardtmuth, the founder of the "Koh-I-Noor in 1790, remains in use. In 1802, the production of graphite leads from graphite and clay was patented by the "Koh-I-Noor company in Vienna.
In England, pencils continued to be made from whole sawn graphite. "Henry Bessemer's first successful invention (1838) was a method of compressing graphite powder into solid graphite thus allowing the waste from sawing to be reused.
American colonists imported pencils from Europe until after the "American Revolution. "Benjamin Franklin advertised pencils for sale in his "Pennsylvania Gazette in 1729, and "George Washington used a three-inch pencil when he surveyed the "Ohio Territory in 1762.["better source needed] It is said["by whom?] that "William Munroe, a cabinetmaker in "Concord, Massachusetts, made the first American "wood pencils in 1812. This was not the only pencil-making occurring in Concord. According to "Henry Petroski,["citation needed] "transcendentalist philosopher "Henry David Thoreau discovered how to make a good pencil out of inferior graphite using clay as the "binder; this invention was prompted by his father's pencil factory in Concord, which employed graphite found in "New Hampshire in 1821 by Charles Dunbar.
Munroe's method of making pencils was painstakingly slow, and in the neighbouring town of "Acton, a pencil mill owner named Ebenezer Wood set out to automate the process at his own "pencil mill located at Nashoba Brook. He used the first circular saw in pencil production. He constructed the first of the hexagon- and octagon-shaped wooden casings. Ebenezer did not patent his invention and shared his techniques with anyone. One of those was "Eberhard Faber of New York, who became the leader in pencil production.
"Joseph Dixon, an inventor and entrepreneur involved with the "Tantiusques granite mine in "Sturbridge, Massachusetts, developed a means to "mass-produce pencils. By 1870, The "Joseph Dixon Crucible Company was the world’s largest dealer and consumer of graphite and later became the contemporary "Dixon Ticonderoga pencil and art supplies company.
By the end of the 19th century, over 240,000 pencils were used each day in the US. The favoured timber for pencils was "Red Cedar as it was "aromatic and did not splinter when sharpened. In the early 20th century supplies of Red Cedar were dwindling so that pencil manufacturers were forced to recycle the wood from cedar fences and barns to maintain supply.
One effect of this was that "during World War II rotary pencil sharpeners were outlawed in Britain because they wasted so much scarce lead and wood, and pencils had to be sharpened in the more conservative manner – with knives."
It was soon discovered that "Incense cedar, when dyed and perfumed to resemble Red Cedar, was a suitable alternative and most pencils today are made from this timber which is grown in managed forests. Over 14 billion pencils are manufactured worldwide annually. Less popular alternatives to cedar include "basswood and "alder.
In Southeast Asia the wood "Jelutong may be used to create pencils (though the use of this rainforest species is controversial). Environmentalists prefer the use of "Pulai – another wood native to the region and used in pencil manufacturing.
On 30 March 1858, "Hymen Lipman received the first "patent for attaching an "eraser to the end of a pencil. In 1862, Lipman sold his patent to Joseph Reckendorfer for $100,000, who went on to sue pencil manufacturer Faber-Castell for infringement. In 1875, the Supreme Court of the US ruled against Reckendorfer declaring the patent invalid.
Historian Henry Petroski notes that while ever more efficient means of mass production of pencils has driven the replacement cost of a pencil down, before this people would continue to use even the stub of a pencil. For those who "did not feel comfortable using a stub, pencil extenders were sold. These devices function something like a porte-crayon...the pencil stub can be inserted into the end of a shaft...Extenders were especially common among engineers and draftsmen, whose favorite pencils were priced dearly. The use of an extender also has the advantage that the pencil does not appreciably change its heft as it wears down." Artists currently use extenders to maximize the use of their "colored pencils.
A standard, #2, hexagonal pencil is 19 cm (7.5 in) long.
There are also pencils which use mechanical methods to push lead through a hole at the end. These can be divided into two groups: propelling pencils use an internal mechanism to push the lead out from an internal compartment, while clutch pencils merely hold the lead in place (the lead is extended by releasing it and allowing some external force, usually gravity, to pull it out of the body). The erasers (sometimes replaced by a sharpener on pencils with larger lead sizes) are also removable (and thus replaceable), and usually cover a place to store replacement leads. Mechanical pencils are popular for their longevity and the fact that they may never need sharpening. Lead types are based on grade and size; with standard sizes being 2.00 mm (0.079 in), 1.40 mm (0.055 in), 1.00 mm (0.039 in), 0.70 mm (0.028 in), 0.50 mm (0.020 in), 0.35 mm (0.014 in), 0.25 mm (0.0098 in), 0.18 mm (0.0071 in), and 0.13 mm (0.0051 in) (ISO 9175-1)—the 0.90 mm (0.035 in) size is available, but is not considered a standard ISO size.["citation needed]
Pioneered by Taiwanese stationery manufacturer Bensia Pioneer Industrial Corporation in the early 1970s, the product is also known as Bensia Pencils, stackable pencils or non-sharpening pencils. It is a type of pencil where many short pencil tips are housed in a cartridge-style plastic holder. A blunt tip is removed by pulling it from the writing end of the body and re-inserting it into the open-ended bottom of the body, thereby pushing a new tip to the top.
Invented by Harold Grossman for Empire Pencil Company in 1967 and subsequently improved upon by Arthur D. Little for Empire from 1969 through the early 1970s; the plastic pencil was commercialised by Empire as the "EPCON" Pencil. These pencils were co-extruded, extruding a plasticised graphite mix within a wood-composite core.
Residual graphite from a pencil stick is not poisonous, and graphite is harmless if consumed.
Although "lead has not been used for writing since antiquity, lead poisoning from pencils was not uncommon. Until the middle of the 20th century the paint used for the outer coating could contain high concentrations of lead, and this could be ingested when the pencil was sucked or chewed.
The lead of the pencil is a mix of finely ground "graphite and "clay powders. Before the two substances are mixed, they are separately cleaned of foreign matter and dried in a manner that creates large square cakes. Once the cakes have fully dried, the graphite and the clay squares are mixed together using water. The amount of clay content added to the graphite depends on the intended pencil hardness (lower proportions of clay makes the core softer), and the amount of time spent on grinding the mixture determines the quality of the lead. The mixture is then shaped into long "spaghetti-like strings, straightened, dried, cut, and then tempered in a "kiln. The resulting strings are dipped in oil or molten wax, which seeps into the tiny holes of the material and allows for the smooth writing ability of the pencil. A "juniper or "incense-cedar plank with several long parallel grooves is cut to fashion a "slat," and the graphite/clay strings are inserted into the grooves. Another grooved plank is glued on top, and the whole assembly is then cut into individual pencils, which are then varnished or painted. Many pencils feature an "eraser on the top and so the process is usually still considered incomplete at this point. Each pencil has a shoulder cut on one end of the pencil to allow for a metal "ferrule to be secured onto the wood. A rubber plug is then inserted into the ferrule for a functioning eraser on the end of the pencil.
Graphite pencils are made of a mixture of "clay and "graphite and their darkness varies from light grey to black: the more clay the harder the pencil. There is a wide range of grades available, mainly for artists who are interested in creating a full range of tones from light grey to black. Engineers prefer harder pencils which allow for a greater control in the shape of the lead.
Manufacturers distinguish their pencils by grading them, but there is no common standard. Two pencils of the same grade but different manufacturers will not necessarily make a mark of identical tone nor have the same hardness.
Most manufacturers, and almost all in Europe, designate their pencils with the letters H (commonly interpreted as "hardness") to B (commonly "blackness"), as well as F (usually taken to mean "fineness", although F pencils are no more fine or more easily sharpened than any other grade. also known as "firm" in Japan). The standard writing pencil is graded HB. This designation might have been first used in the early 20th century by Brookman, an English pencil maker. It used B for black and H for hard; a pencil's grade was described by a sequence or successive Hs or Bs such as BB and BBB for successively softer leads, and HH and HHH for successively harder ones. The "Koh-i-Noor Hardtmuth pencil manufacturers claim to have first used the HB designations, with H standing for Hardtmuth, B for the company's location of "Budějovice, and F for Franz Hardtmuth, who was responsible for technological improvements in pencil manufacture.
As of 2009, a set of pencils ranging from a very hard, light-marking pencil to a very soft, black-marking pencil usually ranges from hardest to softest as follows:
"Koh-i-noor offers twenty grades from 10H to 8B for its 1500 series; "Mitsubishi Pencil offers twenty-two grades from 10H to 10B for its Hi-uni range; Derwent produces twenty grades from 9H to 9B for its graphic pencils and "Staedtler produces sixteen from 6H to 8B for its Mars Lumograph pencils.
|*Also seen as 24/, 2.5, 25/|
Although Conté/Thoreau's equivalence table is widely accepted["citation needed], not all manufacturers follow it; for example, Faber-Castell uses a different equivalence table in its Grip 2001 pencils: 1 = 2B, 2 = B, 2½ = HB, 3 = H, 4 = 2H.
Graded pencils can be used for a rapid test that provides relative ratings for a series of coated panels but can't be used to compare the pencil hardness of different coatings. This test defines a "pencil hardness" of a coating as the grade of the hardest pencil that does not permanently mark the coating when pressed firmly against it at a 45 degree angle. For standardized measurements, there are "Mohs hardness testing pencils on the market.
The majority of pencils made in the US are painted yellow. According to "Henry Petroski, this tradition began in 1890 when the L. & C. Hardtmuth Company of "Austria-Hungary introduced their "Koh-I-Noor brand, named after the "famous diamond. It was intended to be the world's best and most expensive pencil, and at a time when most pencils were either painted in dark colours or not at all, the Koh-I-Noor was yellow. As well as simply being distinctive, the colour may have been inspired by the "Austro-Hungarian flag; it was also suggestive of "the Orient at a time when the best-quality graphite came from "Siberia. Other companies then copied the yellow colour so that their pencils would be associated with this high-quality brand, and chose brand names with explicit Oriental references, such as Mikado (renamed Mirado) and Mongol.
Not all countries use yellow pencils. German and Brazilian pencils, for example, are often green, blue or black, based on the trademark colours of "Faber-Castell, a major German stationery company which has plants in those countries. In southern European countries, pencils tend to be dark red or black with yellow lines, while in Australia, they are red with black bands at one end. In India, the most common pencil colour scheme was dark red with black lines, and pencils with a large number of colour schemes are produced by various companies.["citation needed]
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