According to "Santayana, Nietzsche was actually "a keen satirist". "Nietzsche's satire" was aimed at Lutheranism.
The UK has a long tradition of political satire, dating from the early years of English literature. In some readings, a number of "William Shakespeare's plays can be seen - or at least performed - as satire, including "Richard III and "The Merchant of Venice. Later examples such as "Jonathan Swift's "A Modest Proposal are more outright in their satirical nature.
In modern era, political satire in the "United Kingdom includes pamphlets and newspaper articles, such as "Private Eye, topical television panel shows such as "Have I Got News for You, and television series such as "Yes Minister, "House of Cards and "The Thick of It.
Satire became more visible on American television during the 1960s. Some of the early shows that used political satire include the British and American versions of the program "That Was the Week That Was (airing on the "American Broadcasting Company, or ABC, in the U.S.), "CBS's "The Smothers Brothers Comedy Hour, and "NBC's "Rowan and Martin's Laugh-In. During the months leading up to the 1968 presidential election, "Richard Nixon appeared on Laugh-In and repeated the program's catch-phrase "Sock it to me." Other forms of satire of the 1960s and early 1970s typically used the sitcom format, such as the show "All in the Family.
When "Saturday Night Live debuted in 1975, the show began to change the way that comedians would depict the president on television. "Chevy Chase opened the fourth episode of the show with his impersonation of a bumbling "Gerald Ford. Chase did not change his appearance to look like President Ford, and he portrayed the president by repeatedly falling down on the stage. Some of the other famous presidential impersonations on "Saturday Night Live include "Dan Aykroyd's "Richard Nixon and "Jimmy Carter caricatures, "Dana Carvey as "George H. W. Bush, "Darrell Hammond as "Bill Clinton, and "Will Ferrell as "George W. Bush. "Fred Armisen was the first cast member to impersonate "Barack Obama, and the show's "Barack Obama impersonation is currently performed by "Jay Pharoah.
During the 2008 presidential campaign, "Saturday Night Live gained wide attention because former cast member "Tina Fey returned to the show to satirize Republican Vice Presidential candidate "Sarah Palin. In addition to Fey's striking physical resemblance to Palin, the impersonation of the vice presidential candidate was also noteworthy because of Fey's humorous use of some of exactly the same words Palin used in media interviews and campaign speeches as a way to perform political satire.
"Saturday Night Live also uses political satire throughout its "Weekend Update sketch. Weekend Update is a fake news segment on the show that satirizes politics and current events. It has been a part of SNL since the first episode of the show on October 11, 1975.
"The Daily Show and "The Colbert Report use stylistic formats that are similar to Weekend Update. On The Daily Show, host "Jon Stewart used footage from news programs to satirize politics and the news media. "Stephen Colbert performed in character on "The Colbert Report as a right-wing news pundit. Both hosts' television programs were broadcast on "Comedy Central, while The Daily Show continues to run featuring a new host. With their shows, Stewart and Colbert helped increase public and academic discussion of the significance of political satire.
The fact that the gods could be brought down to a human or 'far too human' level is certainly rooted in the very nature of Greek religion, and there is no doubt that this attitude contributed to the gradual undermining of the old belief in the gods. [...] To tell immoral and scandalous stories about the gods did not offend average religious feeling; it troubled only advanced spirits like Xenophanes and Pintar [...] and it is clear that people no longer believed either in the story or in Zeus. Satire and derision progressively attacked even the fundamental and most sacred facts of faith, above all faith in the gods' power, and it was from this that doubt began to grow.
The power of the gods, whose dignity and stringth were impressively reflected in most of the tragedies, however different the religious attitudes of the tragic poets were, this same power was on the same festival days belittled and questioned by the comic poets who made fun of the gods and represented traditional and sacred forms in a starling manner.