"Reactionary modernism" is a term first coined by "Jeffrey Herf in his 1984 book, Reactionary Modernism: Technology, Culture and Politics in Weimar and the Third Reich, to describe the mixture of "great enthusiasm for modern "technology with a rejection of the "Enlightenment and the values and institutions of "liberal democracy" which was characteristic of the German "Conservative Revolutionary movement and "Nazism. In turn, this ideology of reactionary "modernism was closely linked to the original, positive view of the "Sonderweg, which saw Germany as the great Central European power neither of the West nor of the East.
Herf's application of the term to describe "fascism has been widely echoed by other scholars. Herf had used the term to denote a trend in intellectual thought during the era, what German novelist "Thomas Mann had described as "a highly technological romanticism" during the interwar years. Herf used the term in reference to a wide range of German cultural figures, including "Ernst Jünger, "Oswald Spengler, "Carl Schmitt, and "Hans Freyer.
Historian Nicolas Guilhot has broadened the scope of reactionary modernism, applying the term to trends in "Weimar Republic industry, medicine ("eugenics), mass politics, and social engineering. Reactionary modernism can be seen in the fascist concept of the "New Man, as well as in art movements of "Weimar culture that emphasized rationalism and embraced "Futurism and the "New Objectivity. Many Weimar period artists rejected the Futurists' "fetishization of machinery and violence, for example the proponents of "German Expressionism. Despite this, the "return to order became a dominant theme in German culture and in that of other European countries.
Reactionary modernism has been explored as a theme in the interwar literature and broader political culture of Great Britain. It has been examined in the context of other European countries during the interwar period, including Romania, Greece, Sweden, and Spain. It has even been examined in the context of fascism in Japan. Other historians acknowledge the term's recognition of an influential trend in European philosophical, cultural and political thought during the period when fascism was on the rise. Since the neologism was created by Herf, it has gained mainstream currency with historians in discussing the paradoxical European enthusiasm for paternalistic authoritarianism and "volkish nationalism on the one hand, and new technological and political concepts on the other hand, all under "totalitarian regimes.
Herf now applies the term to claim similarity to the governments of "Iran under the Ayatollahs, the government of "Iraq under "Saddam Hussein, and "Islamist groups such as "Al Qaeda. Other scholars, including "Paul Berman, have also applied Herf's term to Islamism.
Cultural critic "Richard Barbrook argues that members of the "digerati, who adhere to the "Californian Ideology, embrace a form of reactionary modernism which combines "economic growth with "social stratification.
Thomas Rohkrämer criticized the concept of reactionary modernism, arguing "It is simply not strange or 'paradoxical to reject the Enlightenment and embrace technology at the same time', but a common practice in nineteenth- and twentieth-century Germany as well as in many other countries. Instrumental reason and technology are available for an endless number of different purposes, many of which are not humane or enlightened". Support for this view also came from Roger Griffin, who argued "[F]ascism as an ideology and movement can be seen as proposing a radical alternative to liberal and socialist visions of what form modernity ideally should take. It represents an uncompromising rejection both of thorough-going liberalism and extreme 'modernism', whose logical culmination it sees as relativism, anomie, subjectivism, and the loss of definitive meaning and 'eternal' values. It is an attempt to re-anchor modern human beings within that highly modern phenomenon, the totalitarian state (a term used positively by Fascism) through consciously manipulated historical, national and racist myth (all deeply modern ideological constructs)".