Powered by
Share this page on
Article provided by Wikipedia

Stanisław Moniuszko

Stanisław Moniuszko (Polish pronunciation: "[stãˈɲiswaf mɔ̃ˈɲuʃkɔ]; May 5, 1819, "Ubiel, "Minsk Governorate – June 4, 1872, "Warsaw, "Congress Poland) was a "Polish "composer, "conductor and "teacher. He wrote many popular "art songs and "operas, and his music is filled with "patriotic "folk themes of the peoples of the former "Polish-Lithuanian Commonwealth (predominantly the "Poles, "Lithuanians and "Belarusians).[1]

He is generally referred to as "the father of "Polish national opera".[2]



Stanisław Moniuszko bust in "Gdańsk

Moniuszko was born in "Ubiel, "Minsk Governorate (in present-day "Belarus) in 1819 to a "szlachta nobility of landowners from the eastern fringe of the "Vilna Governorate of the already partitioned "Polish–Lithuanian Commonwealth, its eastern subject, "Grand Duchy of Lithuania. His mother (maiden-name Madziarska) had Polish-Hungarian-Armenian roots.[3][4] Moniuszko displayed an early ability in music, and began private "piano lessons with "August Freyer in 1827.[5] In 1837, once his talent and interest justified it, Moniuszko began to formally study "composition in "Berlin with "Carl Friedrich Rungenhagen, the director of the "Singakademie" Music Society,[6] who also instructed him in "choral conducting. At the same time Moniuszko studied major works of the "classical repertoire as well as the process involved in staging music.[4] While in Berlin, he had an unexpected early success when he set three songs to the words of the Polish national "poet, "Adam Mickiewicz.[7] Several of his songs composed during this period were published by "Bote & Bock and were favorably received by the music critics.[4]

"Bust of Stanisław Moniuszko in "Vilnius, "Lithuania

After three years in Berlin, he returned to Poland in 1840 to marry Aleksandra Müller. He obtained a post as an "organist in "Vilnius and also worked as a private piano tutor.[6] He often had to face financial difficulties, especially as his happy married life was blessed with an ever-growing family. The Moniuszkos had ten children and together with the nurses and servants there came a time when 18 people sat down at their table every day.[8] He contributed greatly to music in the local area, staging performances of large choral works such as "Mozart's "requiem, and excerpts from "Haydn's "The Creation and "Mendelssohn's "St. Paul. There were also orchestral performances of works by "Spontini, Mendelssohn and "Beethoven.[5]

During that time he became acquainted with the "novelist "Józef Ignacy Kraszewski and "playwright-satirist "Aleksander Fredro, who stimulated his interest in dramatic music. Around 1840, he began to compose intensively, writing his first operas and several other stage works, as well as "sacred music and secular "cantatas.[9] At around this time he began work on the collection of songs entitled Śpiewnik domowy (Songbook for Home Use), which came to have wide appeal to "Polish public.[4] The first volume of this collection was published in 1843 and over the years the collection grew to 12 volumes containing 267 songs with piano accompaniment in total.

During his lifetime Moniuszko traveled numerous times to "St. Petersburg where his concerts were very well received.[4] In St. Petersburg "Mikhail Glinka and "Alexander Dargomyzhsky showed appreciation of Moniuszko's talent; Moniuszko became a close friend of the latter, and dedicated his Bajka (Fairytale) to him.[10] He also knew "Mily Balakirev, "Modest Mussorgsky and "Alexander Serov,[4] and his style was appreciated by "Hans von Bülow.[9] Serov, the young Russian critic of the time, referred to Moniuszko's compositions as "brilliant works".[10] He was the mentor of "César Cui. Most crucial to Moniuszko's career was, however, his visit to Warsaw in 1848. He met there Jozef Sikorski, the future editor of the most notable Polish music journal "Ruch Muzyczny" (Musical Movement), Oscar Kolberg a well-known folk song collector, and Włodzimierz Wolski, a poet and future librettist of Moniuszko's best known opera "Halka.[8]


In 1848 in Vilnius, he staged and conducted the premiere performance of the first, two-act version of his opera "Halka. It took ten years before the political climate cooled enough to be able to perform such a nationalist-themed opera again.[11] After the triumph of his new four-act version of "Halka during the "Warsaw premiere on 1 January 1858, he toured France, thanks to the help of the pianist "Maria Kalergis, where he met "Auber and "Rossini. After a visit to "Berlin, he met "Smetana in "Prague, who prepared the Prague premiere of "Halka, and finally Moniuszko visited "Weimar, where he met "Liszt.[5] Named after its heroine, "Halka, after being shown in two acts in 1848 in Vilnius, was premiered with great success in 1858 in Warsaw in its final four-act form. On that evening the composer, shy and limping slightly, thanked the audience, bowing many times to incessant applause. It was soon later staged in Prague, "Moscow and St. Petersburg,[5] where it met with great success.[11]

House in "Vilnius where Moniuszko lived, 1839–58

On 1 August 1858 he was appointed principal conductor of the Polish Opera in the "Grand Theatre in Warsaw. He wasted no time in staging his opera Flis later that year, and during his 15-year tenure he conducted almost solely his own work.[6] In 1862 Moniuszko travelled to "Paris again, hoping to have one of his operas staged there, but this didn't happen.[5] His early return from "France, was due to a change in the political climate caused by the "January Uprising, which was unfavourable to artistic activity. Moniuszko's composition was affected.[5] In 1864, Moniuszko started lecturing in harmony, counterpoint and composition in the Music Institute in Warsaw, where he also directed a choir. His disciples included, among others, "Zygmunt Noskowski and Henryk Jarecki.[6] In 1865, a staging of his "Straszny Dwór (The Haunted Manor) enjoyed an enthusiastic reception, and his new opera proved to be a success comparable to that of "Halka.[6]

From the success of Halka to other major operatic compositions; Flis (The Raftsman), 1858, "Hrabina (The Countess), 1860, Verbum Nobile, 1861, and most importantly Straszny Dwór, 1865. The common trait shared by all these works are librettos that—while depicting "Polish nobility and "gentry, and sometimes characters of common origins—emphasized "Polish customs and traditions, and at the time of national strife, sustained and fostered patriotic feelings.[6] Stanisław Moniuszko died on 4 June 1872 in "Warsaw of a sudden "heart attack and was buried in "Powązki Cemetery. His "burial ceremony becoming a national event and his music became widely acclaimed in "Poland and generally accepted as a paragon of ""Slavonic" music. There is a "bust monument built in his honor in the "Old Town of Vilnius in the middle of the square of his name.


Cover of Śpiewnik domowy (Songbook for Home Use)

According to Jim Samson in Moniuszko's Grove Music entry, "Like Glinka in Russia, Erkel in Hungary, and Smetana in the Czech lands, Moniuszko has become associated above all with the concept of a national style in opera." Moniuszko's "opera and music as a whole is representative of 19th century "romanticism, given the extensive use by the composer of "arias, "recitatives and "ensembles that feature strongly in his operas.["citation needed] An exception is "Straszny Dwór (The Haunted Manor), where beautifully scored choral parts testify to Moniuszko's mastery of writing for many voices.[10] The source of Moniuszko's melodies and rhythmic patterns often lies in Polish musical folklore. One of the most visibly ""Polish" aspects of his music is in the forms he uses, including dances popular among upper classes such as "polonaise and "mazurka, and "folk tunes and dances such as "kujawiak and "krakowiak.[10] The most notable among his choral works are cantatas Sonety krymskie (Crimean Sonnets) and Widma (Phantoms), composed to the texts of "Adam Mickiewicz, the leading "poet of the "Polish Romanticism. The melodic line of the former is particularly expressive and in parts of the composition takes on the form of variations.[10]

His series of twelve song books, Śpiewnik domowy (Songbook for Home Use), are notable for sheer number as well as quality. Though many of the songs are simple, predominately "strophic, some take on a form of dialogues or ballads, and the majority testify to the composer's originality and melodic inventiveness.[4] The source of Moniuszko's melodies and rhythmic patterns often lies in Polish and Belarusian musical folklore; the majority of the texts are those of some prominent "Polish poets, of whom many traced their roots from what is now "Belarus (where of "Litvin origin): "Mickiewicz, "Pol, "Kraszewski, "Syrokomla, "Lenartowicz, "Czeczot, "Odyniec,[10] "Dunin-Martsinkyevich.[12]

Autographed music quotation
Grave of Stanisław Moniuszko (right), "Powązki Cemetery in "Warsaw

An "English version of Straszny Dwór was created and premiered by the student operatic society at "Bristol University in 1970; this version has been performed since, specifically in 2001 by "Opera South. The company also presented the world premiere of a specially created new English version of Verbum Nobile in 2002.

Pocket Opera, in San Francisco, produced and presented Donald Pippin's English language version of Straszny Dwór in 2009, and of "Halka in 2010.


During his life, Moniuszko was recognised as an important national composer,[13] but after his death, he became revered. From statues,[14] to the names of parks,[15] music competitions,[16] musicians,[17] and institutions[18] the name Stanisław Moniuszko constantly features in Polish society. He has also been featured on stamps,[19] bank notes[20] and other official documents in Poland. The 1,841 seat main "auditorium of the "Teatr Wielki, where the "Polish National Opera is based, is also named after him.

In 1951 Moniuszko's life, particularly his composition of Halka, was portrayed in the film "Warsaw Premiere directed by "Jan Rybkowski. Moniuszko was played by "Jan Koecher.

Since the 1990s Stanisław Moniuszko is being recognized in "Belarus as an important figure of Belarusian culture.[21] Moniuszko's operas are regularly performed at the Belarusian National Opera. There is a Museum of Stanisław Moniuszko.[22]


Due to the current obscurity of Moniuszko outside "Poland, this list more or less represents a complete discography.





See also[edit]


  1. ^ Аляксей Хадыка, "Станіслаў Манюшка — паляк, літвін..." Archived from the original on July 27, 2011. Retrieved 2013-01-20.  Novy Chas.org, Culture. Retrieved from the Internet Archive, February 18, 2013.
  2. ^ http://www.poland.us/strona,13,4021,0,stanislaw-moniuszko-ojciec-polskiej-opery.html
  3. ^ Jan T. Z. (24 IV 2005) Polscy Ormianie (Вспоминая геноцид Армян. Польские армяне) (in Polish) Retrieved February 18, 2013.
  4. ^ a b c d e f g University of Southern California: Polish Music Center |Stanisław Moniuszko Archived 2006-04-10 at the "Wayback Machine. Retrieved February 18, 2013.
  5. ^ a b c d e f Culture.pl |Stanisław Moniuszko
  6. ^ a b c d e f Polish Music Information Centre |Stanisław Moniuszko Archived 2007-09-26 at the "Wayback Machine.
  7. ^ EditionSilvertrust.com |Stanisław Moniuszko
  8. ^ a b "Stanisław Moniuszko". Archived from the original on October 17, 2004. Retrieved 2013-01-20. 
  9. ^ a b Karadar.com |Stanisław Moniuszko
  10. ^ a b c d e f Prominent Poles |Stanisław Moniuszko
  11. ^ a b Polish Art Center |Stanisław Moniuszko and His Operas
  12. ^ «Нацыянальнае, краёвае, мясцовае...»
  13. ^ Teatr Wielki |"Teatralny Square and its environs"
  14. ^ See Stanisław Moniuszko in "Wikimedia Commons
  15. ^ Stanisław Moniuszko Park in "Poznań
  16. ^ Stanisław Moniuszko Vocal Competition Archived 2007-08-02 at the "Wayback Machine.
  17. ^ Stanisław Moniuszko Mixed Chorus Archived 2007-09-28 at the "Wayback Machine.
  18. ^ Stanisław Moniuszko Academy of Music Archived 2004-11-08 at the "Wayback Machine. in "Gdańsk
  19. ^ Stanisław Moniuszko stamp (also hosted on "Wikimedia Commons at Stanisław Moniuszko)
  20. ^ Stanisław Moniuszko bank note (also hosted on "Wikimedia Commons at Stanisław Moniuszko)
  21. ^ Праправнучка Станислава Монюшко: “В Минске должен появиться памятник композитору”
  22. ^ Stanisław Moniuszko Museum, "Belarus

External links[edit]

) ) WikipediaAudio is not affiliated with Wikipedia or the WikiMedia Foundation.