The Apotheosis of Washington is the "fresco painted by Greek-"Italian artist "Constantino Brumidi in 1865 and visible through the "oculus of the dome in the "rotunda of the "United States Capitol Building. The fresco is suspended 180 feet (55 m) above the rotunda floor and covers an area of 4,664 square feet (433.3 m2). The figures painted are up to 15 feet (4.6 m) tall and are visible from the floor below. The dome was completed in 1863, and Brumidi painted it over the course of 11 months at the end of the Civil War. He was paid $40,000 ($625,826 in today's funds) for the fresco.
Brumidi had worked for three years in the "Vatican under "Pope Gregory XVI, and served several "aristocrats as an artist for "palaces and "villas, including the prince "Torlonia. He "immigrated to the United States in 1852, and spent much of the last 25 years of his life working in the Capitol. In addition to The Apotheosis of Washington he designed the "Brumidi Corridors.
The Apotheosis of Washington depicts "George Washington sitting amongst the heavens in an exalted manner, or in literal terms, ascending and becoming a god ("apotheosis). Washington, the first "U.S. president and "commander-in-chief of the "Continental Army during the "American Revolutionary War, is "allegorically represented, surrounded by figures from "classical mythology. Washington is draped in "purple, a royal color, with a "rainbow arch at his feet, flanked by the goddess "Victoria (draped in green, using a horn) to his left and the "Goddess of Liberty to his right. Liberty wears a red "Phrygian cap, symbolizing emancipation, from a Roman tradition where sons leaving the home and/or slaves being emancipated would be given a red cap. She holds a "fasces in her right hand and an open book in the other.
Forming a circle between Liberty and Victory are 13 maidens, each with a star above her head, representing the original "13 colonies. Several of the maidens have their backs turned to Washington, said to represent the colonies that had seceded from the Union at the time of painting. Upside down above Washington is the banner "E Pluribus Unum meaning "out of many, one".
Surrounding Washington, the two goddesses and the 13 maidens are six scenes lining the perimeter, each representing a national concept allegorically: from directly below Washington in the center and moving clockwise, "War," "Science," "Marine," "Commerce," "Mechanics," and "Agriculture". The perimeter scenes are not fully visible from the floor of the Capitol.
"Freedom, also known as "Columbia, is directly below Washington in the personification of War. The scene depicts a woman fighting for liberty with a raised sword, a cape, and a "helmet and "shield (in the colors of the "American flag) trampling figures representing "Tyranny and "Kingly Power. To Freedom's left assisting her is a fierce "bald eagle (the "bald eagle is the "national bird of the United States) carrying "arrows and a "thunderbolt (reminiscent of the arrows carried by the eagle in the "Great Seal of the United States).
"Minerva, the Roman goddess of crafts and wisdom, is portrayed with helmet and "spear pointing to an "electrical generator creating power stored in "batteries next to a "printing press, representing great American inventions. American scientists and inventors "Benjamin Franklin, "Samuel F. B. Morse, and "Robert Fulton watch. In the left part of the scene a teacher demonstrates the use of dividers.
This scene shows "Neptune, the Roman "sea-god, with "trident and "crown of "seaweed riding in a "shell "chariot drawn by sea horses. "Venus, goddess of love born from the sea, is depicted helping to lay the "transatlantic telegraph cable which ran from America to the Telegraph Field in Ireland. In the background is an "ironclad warship with "smokestacks.
"Mercury, the Roman god of commerce, with his winged "petasos and "sandals and a "caduceus, is depicted giving a "bag of gold to "American Revolutionary War financier "Robert Morris. To the left, men move a box on a "dolly; on the right, the "anchor and "sailors lead into "Marine."
"Vulcan, the Roman god of "fire and the "forge, is depicted standing at an "anvil with his foot on a "cannon next to a pile of "cannonballs. A "steam engine is in the background. The man at the forge is thought to represent Charles Thomas, the supervisor of ironwork during the construction of the Capitol dome.
"Ceres, the Roman goddess of agriculture, is shown with a wreath of "wheat and a "cornucopia, symbol of plenty, while sitting on a "McCormick "mechanical reaper. The personification of Young America in a "liberty cap holds the "reins of the horses, while the goddess "Flora gathers flowers in the foreground.
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