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Ton Koopman
""Tonkoopman.jpeg
Ton Koopman
Background information
Born (1944-10-02) 2 October 1944 (age 73)
"Zwolle, "Netherlands
Genres "Classical
Occupation(s) "Conductor
Instruments "Organ and "harpsichord

Antonius Gerhardus Michael (Ton) Koopman (Dutch: "[ˈkoːpmɑn]; born 2 October 1944) is a "Dutch "conductor, "organist and "harpsichordist. He is also professor at the "Royal Conservatory of The Hague. In April 2003 he was knighted in the Netherlands, receiving the "Order of the Netherlands Lion.

Contents

Biography[edit]

Koopman had a "classical education" and then studied the "organ (with Simon C. Jansen), harpsichord (with "Gustav Leonhardt), and "musicology in "Amsterdam. He specialized in "Baroque music and received the Prix d'Excellence for both organ and harpsichord.

Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992, now combined as the "Amsterdam Baroque Orchestra & Choir. Koopman concentrates on Baroque music, especially that of "Bach and is a leading figure in the "authentic performance" movement. While a number of early-music conductors have ventured into newer music, Koopman has not. He has said, "I draw the line at "Mozart's death" (1791).[1] One exception is his recording of the "Concert Champêtre of "Francis Poulenc, written in 1928.

Bach cantatas project[edit]

Among Koopman's most ambitious projects was the recording of the complete cycle of all of "Bach's cantatas, a project completed in 2005. This project had started while Koopman was an artist of the French "Erato Classics label. However, after 12 volumes (36 CDs) the project was stalled when owner "Warner Classics wound up its French subsidiary in 2002. Koopman was able to buy back rights for the first 12 volumes and continue the series in 2003 with his own label "Antoine Marchand, distributed by "Challenge Classics. "Antoine Marchand" is a French translation of his own name. [2]

Soloists for the project were among others "Lisa Larsson, "Cornelia Samuelis, "Sandrine Piau, "Sibylla Rubens, "Barbara Schlick, "Caroline Stam, "Deborah York and "Johannette Zomer (soprano), "Bogna Bartosz, "Michael Chance, "Franziska Gottwald, "Bernhard Landauer, "Elisabeth von Magnus, "Annette Markert and "Kai Wessel (alto), "Paul Agnew, "Jörg Dürmüller, "James Gilchrist, "Christoph Prégardien and "Gerd Türk (tenor) and "Klaus Mertens (bass).

Buxtehude project[edit]

In addition to the works of Bach, Koopman has long been an advocate of the music of Bach's predecessor "Dieterich Buxtehude. He had previously recorded the keyboard works for "Philips Classics and several cantatas for Erato. He was elected president of the "International Dieterich Buxtehude Society" in 2004. Following the completion of the Bach cantatas project Koopman then embarked on a recording of the complete works of Buxtehude. In 2005 he commenced "Dieterich Buxtehude – Opera Omnia, a project to record the complete works of "Dieterich Buxtehude, which he finished in October 2014.

Other projects[edit]

Besides his work with the "Amsterdam Baroque Orchestra & Choir, he is in frequent demand as guest conductor and as harpsichordist and organist. In 2011, Koopman began a three-year stint as artist-in-residence with the "Cleveland Orchestra.[3]

His aim is always to achieve authenticity in performance, using exact copies of historical instruments from the time of the composer, and adopting the performing style of the composers or their contemporaries. The scholar (and fellow keyboardist/conductor) John Butt has criticised Koopman's interpretation of Bach's Goldberg variations for its overuse of ornamentation,[4] which he attributes to a desire to differentiate his interpretation from those of Gustav Leonhardt.

Personal life[edit]

Koopman is married to Tini Mathot, who is also a harpsichordist and fortepianist, and the two frequently perform together. Mathot is also his chief recording producer, as well as a teacher at the Royal Conservatory.[5] On 11 October 2012 the documentary Live to be a hundred - a year in the life of Ton Koopman was released in Dutch cinemas

Discography[edit]

Koopman's extensive discography includes the complete Bach cantatas and organ works, "St Matthew Passion (twice) and "St John Passion, "Mass in B minor, "Christmas Oratorio, a recording of his own reconstruction of the lost "St Mark Passion, concertos and harpsichord works by Bach, Mozart's Coronation Mass and Vespers, Requiem, a cycle of Mozart symphonies, Vivaldi's "The Four Seasons, Handel's "Messiah and Organ Concertos, et al. Koopman has received many prizes for his recordings.

Notes[edit]

  1. ^ http://ottosbaroquemusick-bachradio.blogspot.com/2010/12/bach-js-harpsichord-concertos-amsterdam.html
  2. ^ Billboard - 5 July 2003 - Page 13 Vol. 115, n° 27 "Koopman Gets Back on his Bach Cycle - Koopman started his own Antoine Marchand label imprint and, with the help of a financier friend, revised his search for an existing label that would take on finished master tapes for manufacturing and distribution."
  3. ^ http://www.mercurynews.com/music/ci_17321899
  4. ^ John Butt, "Bach Recordings since 1980: A Mirror of Historical Performance," in Bach Perspectives 4, ed. David Schulenberg, University of Nebraska Press, 1999, p. 186, "ISBN "0-8032-1051-5
  5. ^ http://www.bach-cantatas.com/Bio/Mathot-Tini.htm

References[edit]

External links[edit]

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